![]() However, the gravis xterminator windows 7 driver is still not optimized for the new Retina Display, so the text and icons will be a little blurry for Retina users. Official Advanced Gravis Gravis Xterminator Digital GamePad (GamePort) Free Driver Download for Windows XP - Xp45_Sig.exe. World's most popular driver download site. Download device drivers for Gravis Xterminator Digital GamePad 4.5. Compatible with Windows 8, 7, Vista, XP, 2000, Windows 95 and 98. Free Download Gravis Xterminator Dual Control Joystick Driver 1.0 (Joystick, Gamepad & Wheels) SOFTPEDIA® Windows; Drivers. Gravis Xterminator Joystick. Windows device driver information for Gravis Xterminator Dual Control. Gravis Xterminator Dual Control is an input device (joystick) that is produced by Gravis. The device is compatible with Windows 98 SE, ME, 2000 and XP platforms. Gravis Xterminator Dual Control joystick comes with a proportional Directional-pad that. I've sent this in reply to a request for it it's the last known release of the Xperience software by Gravis for use with their line of USB and gameport control devices, and supports Windows 98 and higher, all the way up to Windows XP Professional. Signed driver files are part of the package, which I'm told is no longer available, as the Gravis site is apparently gone (thanks a bunch, Kensington Corp.) and no longer has plans for support of gaming control devices. Uploaded ByAjax (DG Member) on 12-Jul-2002 Most Helpful Reviews. For force feedback to work, you need an analog control device so the motors push and pull in response to the game's cues. The Gravis Xterminator Force Feedback Game Pad is the first game pad with force feedback, but it's essentially a worthless achievement. To house the inner workings, the controller is about one-third too big. And the clunky analog directional control is a motor-driven trackball. Thanks to a poorly designed, hard-to-grip thumb button, the game pad is cumbersome to use, even when the Precision feature is turned on.
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Contents • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • Playable in BlazBlue: Calamity Trigger [ ] Ragna the Bloodedge [ ] Voiced by: (Japanese); (English) Ragna the Bloodedge ( ラグナ=ザ=ブラッドエッジ, Raguna za Buraddoejji) is the main protagonist of the BlazBlue series from Calamity Trigger to Central Fiction. Also known as the Grim Reaper, he is feared by the NOL for being the most powerful individual to have ever rebelled against them since the Ikaruga Civil War. His actions, which included destroying countless number of their branches, have labeled him the most wanted criminal and caused him to receive the largest bounty ever in the history of the NOL. He possesses a powerful form of ars magus called the Azure Grimoire, or simply referred to as the titular BlazBlue, which is often either the secondary or primary target of those after him and his bounty. ![]() HACKS MU GLOBAL! HACK WORKING ON GLOBAL MU ONLINE SEASON 11 PART II DUPE ERRTELS +7+7+7. STORE HACKER 'BUY ALL ON STORE' WCOINS DUPE ONLY FOR ACCOUNT SMURFING AUTOKILL,SPEEDHACK,TELEPORT HACK & DISCONECT HACK WORKING FOR CASTLE SIGUE OR CC. This article may be written from a fan's point of view, rather than a neutral point of view. Please clean it up to conform to a higher standard of quality, and to. His ultimate goal is to destroy the NOL, for he blames them for destroying his family. He is 's biological brother, whose rivalry with him stems from an incident that happened when their sister was presumably killed. His right arm is mechanical because his real one was cut off by, who had taken control of Jin's mind. He was resurrected by as a dhampir, causing one of his green eyes to turn red and his once-blond hair to white. The BlazBlue he possesses is only a fragment of an imitation; the true Grimoire is actually destined to be wielded. But in Continuum Shift, Ragna is given the Idea Engine by a dying which enabled him to access the true Azure. MU Private Server Cheats+Bots+Hacks. All New MU Private Server Cheats, bots, hacks, guides, tricks, tips, level guide, item duped, gold hack. He realizes that Saya is possessed by and decides to give up vengeance to protect his loved ones in Chrono Phantasma, and later in Central Fiction decides to protect the girl inside Amaterasu from the entitled. He and Jin (including his future-past counterpart Hakumen) soon learned that Noel/Mu is indeed Saya's good half, whose soul transferred to the doll's body during Relius' experiment on her, leaving her evil half of what become Izanami took over her original body complete. Once Mu and Noel merge, he helps Noel (in her Mu form) to merge Izanami back to her, with the help of Nine's sacrifice. With the help of Jin and Trinity after Ragna separates the Susano'o armor from Terumi, Jin (while donning the Susano'o armor by Trinity in his future-past/Hakumen form) transports Ragna and Terumi to the Azure void where Ragna can kill him for good. Once all evils are finished, and after helping Noel merge with the Origin to become Saya again, Ragna's last act is to cease himself into the cauldron, to make sure the Azure never falls into the wrong hands, before saying goodbye to his beloved siblings and telling Amane that he has no regrets at all, as he disappeared leaving only his sword, which is later put to the hill where it is less far away from Celica's church as his grave. Whether or not he truly dies, even his sword recently disappeared from his (arguably) grave in the final ending scene is as yet unknown. He is also hinted not to be a natural born human due to his unusual features, like a tattoo on his chest like Noel has and is eventually revealed to be one of the children of the 5th prime field device who mated with a black beast. Ragna's weapon is called Blood-Scythe (ブラッドサイズ Buraddo Saizu), a giant sword that can extend into a scythe. His Drive, Soul Eater, enables him to absorb a portion of the damage dealt to replenish his health. Jin Kisaragi [ ] Voiced by: (Japanese); (English) Jin Kisaragi ( ジン=キサラギ) is a former Major in the NOL and one of its elite commanding officers as well as the rival to Ragna. He is always cool and calm, but is also jealous, ambitious, and possessive with little care for others, treating them like they are mere obstacles. He displayed formidable actions to gain his rank during the Ikaruga Civil War. When he heard that Ragna the Bloodedge had arrived on the scene, he quickly abandoned his post to hunt him down by himself. The truth, however, is that Ragna is Jin's biological brother, and Jin's early feelings of rivalry were furthered by his visions of the future and his Nox Nyctores' amplification of his emotions. Terumi corrupted Jin's mind and incited him to hack off Ragna's arm (the latter nearly dying without the intervention of Rachel) and supposedly kills Saya, and Jin often says that he's looking forward to killing Ragna again. After the incident, he was adopted into the Kisaragi house, a highly powerful and respected family within the NOL. He possesses a notable, said to be caused by his sword, the Nox Nyctores Mucro Algesco: Yukianesa ( 氷剣・ユキアネサ, Hyōken: Yukianesa). While the sword grants him manipulation over ice, it also enhances primal feelings and is often blamed for 'insanity'. His future alter-ego is the Silver Knight of the Six Heroes named. Jin's Drive, Frost Bite, allows him to freeze his opponents. In Central Fiction he no longer acts insane towards Ragna anymore, and sometimes regrets to kill him when he got fully amnesia temporarily. When his future-past self, Hakumen manages to keep Nu away from merging Ragna and knocks her into a coma, he is killed by Terumi from behind, who regained the Susano'o armor that Rachel confiscated from him and gave it to Jin's future-past self as Hakumen. Once Ragna separates the Susano'o armor from Terumi, Jin, with the help of Trinity dons the armor in a form of his future-past self, transported his brother and Terumi to an Azure void where his brother can kill Terumi for good. After bidding Ragna farewell, Jin is now promoted to a higher rank. In an interview by Mori, Jin can no longer fight due to his deal with Trinity having used up all of his energy. Noel Vermillion [ ] Voiced by: (Japanese); (English) Noel Vermillion ( ノエル=ヴァーミリオン, Noeru Vāmirion) is the main heroine of the series, who was found as a young girl amidst the burning fields of Ikaruga where she was rescued, and then adopted by the family of Vermillion. It was because of her outstanding combat activity that she became a lieutenant of the NOL using the Nox Nyctores revolver Arcus Diabolus: Bolverk ( 魔銃・ベルヴェルク, Majū: Beruveruku), which apparently does not fire actual bullets but rather inflicts damage by creating distortions in dimensional space. At the start of the series, she was Jin's secretary. In truth, Noel suffers from amnesia, and is actually, a Murakumo Unit created by, the predecessor of and the final boss in the console version of Continuum Shift. After being rescued by Ragna, Noel seeks out Rachel in Chrono Phantasma, who helps her regain her powers as Mu. In Central Fiction however, Noel separates from Mu to protect the gate to the gods, and it is revealed that she is the Master Unit's core. Once Noel merges with Mu once again, Noel is also revealed to be one of Saya's halves, whose half of her soul which is good was separated to an artificial body Relius created into what becomes of Mu from her original body, which has been taken over by her evil-half, Izanami due to Relius' lethal experiments on her. Both Noel/Mu and Izanami are also the halves of 'The Origin', the core Master Unit Amaterasu herself. After Noel/Mu absorbs Izanami into one again thanks to Ragna and the sacrifice of Nine, and Ragna defeats Terumi, Noel finally finalizes her merging with 'The Origin' to become Saya again, curing her original body's illness as well. Due to Celica's disappearance as a Chronophantasma, Saya still goes by her current Noel alias and takes Celica's place to rebuild the church, with the help of Lambda. However, there are a few subtle hints that indicate that Izanami may still exist inside her, and is waiting for the perfect chance for her revenge to come. With her Drive, Chain Revolver, Noel does different attacks in an active stance. Jonathan Oyama at gave Noel positive reception, where he described her as being 'extremely effective as a fighter,' and stated 'Oddly enough, she's one of the few game characters who I can truly sympathize with. Just like Noel, I often have a tough time remembering my own past.' Rachel Alucard [ ] Voiced by: (Japanese); (English) Rachel Alucard ( レイチェル=アルカード, Reicheru Arukādo) is a and the current head of the noble Alucard family. She is the 4th main character of the series. Despite her small appearance, she is a formidable opponent in battle, using her servants,, as weapons, and her Drive, Silpheed, to control the wind. Rachel also possesses one of the three Sankishin, the Tsukuyomi Unit ( ツクヨミユニット, Tsukuyomi Yunitto), which is a giant shield that she describes as the 'ultimate defense'. Rachel slipped out of her castle in search of fun because she hates to be bored. Due to her hairstyle, several characters nickname her 'Rabbit', a name that irritates her to no end, though Ragna seems to be the only one who can get away with calling her an idiot. Despite her status however, she deeply loathes her vampiric impulses. She seems to be watching Ragna, as she is the one who accidentally turned him into a half-vampire by giving him her powers (this is also the reason behind his and healing ability). Due to this, he is one of the only characters who is aware of her. She also watches and toys with the other characters of the game as part of her amusement. At the end of Chrono Phantasma, she asks to kill her if she, Jin or Noel fails to kill Ragna. In Central Fiction it's shown that Rachel is losing her powers due to constant interference and she's shown to have reacted to due to his similarities to Ragna, making her lose her composure. In the ending Rachel loses her memories of Ragna but subconsciously wants to find him again with the help of an alternative version Tsubaki who apparently became Hakumen. Taokaka [ ] Voiced by: (Japanese); (English) Taokaka ( タオカカ), or Tao for short, is a who is a member of the Kaka tribe, wearing a large coat that obscures her true face, only exposing beady red eyes and a row of teeth (whether or not this is her true face is a mystery). She wants to get back the sky above her village, which was sealed off by humans building cities above her village, was recently sent by the Elder to retrieve the bounty on Ragna's head, becoming a vigilante in the process. Despite this resolve, she is considerably food-obsessed and forgetful, often falling asleep on a whim, becoming hungry moments after a meal, or forgetting details moments after hearing them. She is good friends with, affectionately referring to her as 'boobie lady'. Although, she doesn't seem to refer to anyone other than herself by name; she calls Ragna 'good guy' (because he buys her food), 'scruffy man', 'black squiggly', Noel 'lacking lady', 'mask man', 'flappy-flap', and 'cat person'. She is unable to recognize that Ragna the 'good-guy' and 'Rawrgna' the criminal are the same person. It is revealed the Kaka tribe, which she hails from, is actually genetically-engineered from the genes of Jubei, one of the Six Heroes. With her Drive, Dancing Edge, Taokaka launches at her opponents in a torpedo-like fashion. Carl Clover [ ] Voiced by: (Japanese); (English) Carl Clover ( カルル=クローバー, Karuru Kurōbā) is a young boy who, like Noel and Jin, was a student at the Military Academy, but dropped out without warning while Noel and Jin graduated. He is currently after Ragna's bounty and the Azure Grimoire, leading him to become a vigilante. He travels with a maid-like puppet called Nirvana, whom he believes to be his sister. He is unwilling to see that she is in fact the Nox Nyctores Deus Machina: Nirvana ( 機神・ニルヴァーナ, Kishin: Niruvāna), a causality weapon in the form of a marionette which amplifies its owner's desires to kill. After several people attempted to disassemble or remove Nirvana from him, Carl became extremely paranoid and possessive over her. He is the son of Relius, whom he hates and refuses to call his father. In the end of Centralfiction, Carl began to suffer a blindness like what happened to his father back in his past, except the effect is only on his left eye. When his father escaped into the Boundary, Carl takes his place and gained an eyepatch like similar to his father's mask. His Drive, Automaton, enables him to control Nirvana in battle. Litchi Faye-Ling [ ] Voiced by: (Japanese); (English) Litchi Faye-Ling ( ライチ=フェイ=リン, Raichi Fei Rin) is a renowned doctor living in Orient Town, located in Kagutsuchi. She owns a clinic there and is helped by her assistant. She had worked with and in Sector Seven until the incident where Lotte Carmine, one of her colleagues, became Arakune. She defends the local townspeople from Arakune and seeks to restore him to his former self through any means necessary, even through death. She also seems to respect Bang Shishigami, even apologizing to him if she defeats him in a match, although she remains unaware of the true extent of his feelings for her. In Continuum Shift, Litchi is compelled to join the NOL by Hazama in order to obtain information that can help her save Arakune. Her Drive, Mantenbō (萬天棒 lit. Myriad Heavens Staff), enables her to control her bō staff of the same name while changing her moveset. Litchi is described as 'The hottest doctor in video games' in the list of the 50 hottest video game characters by, where she ranked at 38th. Arakune [ ] Voiced by: Takashi Hikida (Japanese); (English) Arakune ( アラクネ), formerly known as Lotte Carmine ( ロット=カーマイン, Rotto Kāmain), is a black blob-like creature with a white mask who formerly worked alongside Tager and Litchi in Sector Seven. After an attempt to study the Boundary, he became what he is today, now housing innumerable insects with his now-blobby body and thriving on knowledge. His horrible condition has rendered him virtually insane and lacking any reliable memory, as well as distorting his speech to near incoherency (most of his dialogue consists of gibberish, insane laughter and tortured screaming). In Centralfiction reveals he finally gained a bit of his sanity, but still continues his ruthless mission when he was insane. We later learn that Roy was inside the Boundary the whole time and Arakune was just his vessel that allowed himself to exist within the Boundary eventually no longer needing Arakune. With his Drive, Crimson, Arakune's special attacks fill his Curse Gauge. Chris Hoadley of VentureBeat listed Arakune as '15 most significant new fighting game characters,' where he commented that he 'fits the genre's 'freak' archetype with erratic movements and the ability to pester foes with insects after inflicting a curse,' and credited him paving the way for similar characters in and. Iron Tager [ ] Voiced by: (Japanese); (English) Originally the leader of an Ikaruga unit, Tager ( テイガー, Teigā) suffered a mortal wound during the Ikaruga Civil War and was forced to withdraw. He was revived as Iron Tager ( アイアン=テイガー, Aian Teigā, TR-0009), an enormous cyborg, by Kokonoe whom he pledged loyalty to afterward. After his revival, he bears a similar resemblance to a demon, which resulted in him dubbed as the 'Red Devil of Sector Seven'. He was originally 's captain before his near death at the hands of. In the end of Centralfiction, Tager and Bullet are now partners once again. Tager uses his Drive, Voltic Battler, to magnetize his opponents for a short period of time. Bang Shishigami [ ] Voiced by: (Japanese); ( Calamity Trigger ~ Continuum Shift), ( Continuum Shift II ~ onwards) (English) Bang Shishigami ( シシガミバング, Shishigami Bangu) is a ninja from Ikaruga village. He lost his home in the Ikaruga Civil War and his master at the hands of Jin Kisaragi, and he and his followers began living in Kagutsuchi waiting for the right moment to strike back at Jin and the NOL. There, he declares himself a hero of love and justice, and dedicates himself to exterminating evil and overturning injustice wherever he goes. He is quite over-exuberant, prone to speeches and tangents as well as making dramatic entrances. He has a romantic fascination with Litchi, always willing to go charging in headlong if he sees someone making her upset. He is overzealous in every way, subtlety not usually at the forefront of his mind (this is only reinforced where his Astral Heat in Continuum Shift destroys almost all of his clothes), however his fiery spirit and will have earned him the respect of a few characters, most notably Hakumen. He also wants Ragna's bounty to rebuild the glory of Ikaruga. In Chrono Phantasma, it is revealed that Bang's giant nail is the Nox Nyctores, Phoenix: Rettenjō (鳳翼・烈天上 Hōyoku: Rettenjō), which greatly shocks him, and he decides to seek more answers about his weapon and he realize that his weapon was in fact a key to lock the seithr, after this revelation he also learns about Izanami's plan and gained a more serious attitude, deciding to team up with Ragna in order to help him save the world. In the end of Centralfiction, Bang leads a restoration of Ikaruga, under the order of his master's successor Homura. His Drive, Burning Heart, is a set of attacks that light up an icon in his Fu-Rin-Ka-Zan Gauge on hit. Nu-13 [ ] Voiced by: Kanako Kondō (Japanese); Cristina Valenzuela (English) Nu-13 ( ニューサーティーン, Nyū-Sātīn, ν-13-, ν -No.13-) is the main antagonist of Calamity Trigger, and a Murakumo Unit created by Relius Clover, who was forged in Kagutsuchi's Gates of Sheol. Her weapon is the Nox Nyctores, Lux Sanctus: Murakumo (神輝・ムラクモ Shinki: Murakumo), a giant sword that breaks apart to become her armor and a set of floating swords. She was programmed, either by Relius or his partner, Hazama, to terminate anyone she deems as hostile subjects that come near the Gate. Nu is also shown to have a split personality, split between an emotionless girl when around others and a clingy when around Ragna. But in Central Fiction, her emotionless state is slowly fading and her yandere personality has almost completely taken over. However, due to a fatal defeat by the hands of Hakumen and Ragna, Nu suffers a coma under the care of Saya (Noel/Mu and Izanami's original identity) and Lambda. Nu uses her Drive, Sword Summoner, to attack with sword-like projectiles at different angles. Hakumen [ ] Voiced by: Tetsuya Kakihara (Japanese); David Vincent (English) Leader of the Six Heroes, Hakumen ( ハクメン, Alternatively spelled Haku-men) is a mighty warrior wielding a long sword, the Nox Nyctores, Interfectum Malus: Ōkami ( 斬魔・鳴神, Zanma: Ōkami). He also dons the Sankishin, the Susano'o Unit ( スサノヲユニット, Susano'o Yunitto), wearing a mask that completely hides his face, which was originally owned by the original, now known as Yuuki Terumi, before Rachel confiscated the armor and gave it to Hakumen due to Terumi's destructive nature. He led mankind to defeat the Black Beast, then when attempting to warn the people that they needed to 'repent for their sins' lest the Black Beast return, they trapped him in a space known as the 'Edge', where he drifted for nearly a hundred years until Kokonoe discovered him. Kokonoe helped him return to the world, hoping to use him to defeat Terumi, but he set out to achieve his own agendas before being completely salvaged from the Edge. During his journey, he has also shown tremendous respect towards Bang and his unyielding spirit, something truly out-of-character for Hakumen. Hakumen often says that his sword will purify the world of sin and vanquish that which is evil. In truth, Hakumen is Jin's future self from another timeline, whose soul was bound to the Susano'o Unit after falling into the Gates of Sheol and saved by Rachel. In the finale of Centralfiction, after he prevents Nu from merging with Ragna by putting her into a coma fatally, Hakumen was stabbed by Terumi, causing his soul to vanish and Terumi regains the armor Rachel confiscated from him to become Dark Susano'o once again. After Ragna managed to catch up with Terumi and separate him from the Susano'o armor, Trinity gives Hakumen's present-self, Jin to don the armor in the same form as Hakumen's to help his brother, Ragna, to slash both Ragna and Terumi to the Azure void for Ragna to kill Terumi there for good. Once Noel merges with 'The Origin' to become Saya again, Trinity throws the armor to the Boundary. After Ragna's sacrifice many days later, another Hakumen (which is revealed to be Tsubaki from a different time) and Rachel visit (arguably) Ragna's grave. He is shown to be in love with Tsubaki and will do anything to protect her as he doesn't want her to die like in the previous timeline, which led him to do anything to stop her from overusing her power at all cost. He is also shown to deeply despise anybody who dare to hurt her, mainly Nu -No.13- as she was the one who caused Tsubaki a gruesome end in the previous timeline. His Drive is called Zanshin (斬神 lit. Slaying God), which projects a shield-like energy barrier that, when hit by an opponent's attack, will negate said attack and follow-up with an unblockable, invincible counter-attack. Playable in BlazBlue: Continuum Shift [ ] Lambda-11 [ ] Voiced by: Kanako Kondō (Japanese); Cristina Valenzuela (English) Lambda-11 ( ラムダイレブン, Ramuda-Irebun, Λ-11-, Λ -No.11-) is an imitation Murakumo Unit created by Kokonoe by combining the body of the 11th experimental replica of Saya with the soul of Nu, which was recovered after falling into the Gates of Sheol during the conclusion of Calamity Trigger's Story Mode. Her Drive, Sword Summoner EX, is a copy of Nu's. Near the end of Continuum Shift, Lambda sacrifices herself to protect Ragna from a fatal blow from Terumi, passing on her Idea Engine to him as she dies in his arms. But in Chrono Phantasma: Extend, Lambda is somehow revived and she searches for Ragna. Hazama [ ] Voiced by: (Japanese); (Calamity Trigger ~ Continuum Shift), (Continuum Shift II), (Continuum Shift Extend ~ onward) (English) Hazama ( ハザマ), a captain of the NOL's Intelligence Division and the main antagonist of Continuum Shift. He is an artificial human born from an Azure grimoire within created by Relius to be a vessel for Terumi. Hazama fights with balisong knives and the Nox Nyctores, Geminus Anguium: Ouroboros ( 蛇双・ウロボロス, Jasō: Uroborosu). His Drive, Ouroboros, enables him to summon chains that can be used to quickly move through the battlefield or attack his opponents. In Calamity Trigger, he appears to be supervising Noel's actions to keep her in line, but he has a sinister hidden agenda. In Central Fiction, after separating from Terumi, Hazama has decided to no longer be Terumi's vessel and wants to pursue his own desires seeing people in pain and being able to feel emotions, while Terumi also changes his mind, as he finds another one that is better than Hazama's, his original body The Susanoo Unit. In the end, he and Relius jump into a Cauldron, with his fate unknown implying that he ended up in Naoto's world. He is the 5th main character of the series. Chris Hoadley of VentureBeat listed Hazama as '15 most significant new fighting game characters,' where he stated, 'As a fighter, Hazama is a terror in close range with his knife slashes and Jayoku Houtenjin kick super, but in order to reach that point, he needs to use special chains to whip him around the screen,' and credited him paving the way for similar characters in Marvel vs. Tsubaki Yayoi [ ] Voiced by: (Japanese); (English) Tsubaki Yayoi ( ツバキ=ヤヨイ) is Jin's childhood friend/relative and Noel's former roommate from the Military Academy and a member of the NOL's 0 Division. She is described as a straight-A student, and has a rather no-nonsense personality. She's very serious and reserved, and is a member of the dignified Yayoi family. In the true ending of Calamity Trigger, where she appears as a sub-character, she is assigned by Hazama to kill Noel and Jin. In Continuum Shift, Tsubaki learns from Hazama that she was originally Jin's secretary in the previous timelines before Noel took her place in the current. This leads her to hate Noel for taking everything from her, though Hazama intentionally did not tell her that she died in the previous timelines. In the end, Tsubaki was placed under the control of Izanami through the Mind Eater spell. However, in Chrono Phantasma, Tsubaki is freed thanks to the efforts of Jin, Noel, and. In Central Fiction, Tsubaki, while in Izayoi form finally finds out that Hakumen was formerly Jin from a future-past timeline. In the end, once Izanami and Terumi's threat is over, Tsubaki and Makoto visit the church Noel has been residing at when her alias was Saya, with the help of Lambda in honor of the late-sister Celica, whom had raised Noel and Jin, and also Ragna, though they have forgotten whom Ragna is after he ceased himself into the cauldron. In the finale of the ending, at (what may or may not be) Ragna's grave where Rachel is standing towards (possibly) Ragna's sword, it is revealed that Tsubaki might be the new Hakumen, but likely from the future-past like the future-past of Jin used to. Her weapon is the Sealed Weapon Izayoi (封印兵装・十六夜 Fūin Heisō – Izayoi), an Ars Armagus that enables her to control light, though it can potentially lead to. Her Drive, Install, charges her Install Gauge. Mu-12 [ ] Voiced by: Kanako Kondō (Japanese); (English) Mu-12 ( ミュートゥエルブ, Myū-Tuerubu, μ-12-, μ -No.12-) is a Murakumo Unit created by Relius Clover, and Noel Vermillion's former host after fusing with the True Azure. She is playable only in the console version, and is the true final boss of the game. Her memories as Noel are erased by Terumi, and she serves him for one purpose: to destroy the Sankishin Unit ' as well as to erase the world from its existence. She exists as the sword called, the 'Sword of the Godslayer', and her hatred for the world has increased substantially, making her aggressive towards everything she fights. Like Nu, Mu wields the Nox Nyctores Lux Sanctus: Murakumo, though her version is different in color and appearance. Her Drive, Steins Gunner, projects a Stein to a targeted location. In the end of Continuum Shift, Mu is sealed by Ragna when he rescues Noel. But in Chrono Phantasma, Noel acknowledges Mu as herself and regains her powers. In Central Fiction Mu is separated from Noel for reasons unknown to her and seeks for her other half. Finally, once Mu and Noel merge once again, it is revealed that Mu's body had been storing Saya's good-half when it separates from her original body, leaving it taken over by her evil half, Izanami during Relius' experiment. Noel uses this form to merge herself and Izanami merge back together, with the help of Ragna and the sacrifice of Nine. Afterwards, Noel finally finalizes her merging with 'The Origin' to become Saya again, curing her original body's illness as well once Terumi is killed for good by Ragna (with the help of Jin (in his future-past/Hakumen form of Susano'o armor) and Trinity). However, it is vaguely hinted that Izanami might still exist in her soul, and may be planning her revenge as of now. Playable in Blazblue: Continuum Shift II [ ] Makoto Nanaya [ ] Voiced by: (Japanese); (English) Makoto Nanaya ( マコト=ナナヤ) is another classmate of Noel's and Jin's from the Military Academy, much like Tsubaki. She is a beastkin with squirrel-like features, and is considerably hyperactive with a short attention span. She is outgoing, adventurous, and has inhuman reflexes. She has a few complexes about her race but nonetheless proudly acknowledges who she is. She seems to be working under the NOL's Intelligence Division, but is actually an informant for Sector Seven. In the true ending, she transfers to Sector Seven in order to protect Noel. In battle, she fights using her specially-made cross, and her Drive, Impact, allows her to execute special attacks depending on the level of charge. Valkenhayn R. Hellsing [ ] Voiced by: (Japanese); (English) Valkenhayn R. Hellsing ( ヴァルケンハイン=R=ヘルシング, Varukenhain Aru Herushingu) is one of the Six Heroes and Rachel's elderly butler and trusted adviser who has served the Alucard family line for generations. He possesses a sharp wit and is concerned for Rachel's well-being. Valkenhayn seems to be worried about Rachel associating with things below her class (particularly Ragna, although others might apply), but he always acts in a sophisticated and gentlemanly manner. His Drive, Werewolf, enables him to transform into a werewolf. Platinum the Trinity [ ] Voiced by: (Japanese); (game), (anime) (English) Platinum the Trinity ( プラチナ=ザ=トリニティ, Purachina za Toriniti) is a young girl with three personalities named Luna ( ルナ, Runa), Sena ( セナ), and Trinity Glassfille ( トリニティ=グラスフィール, Toriniti Gurasufīru). Luna is a rude young girl; Sena is a polite young boy; and Trinity is the spirit of one of the Six Heroes. Trinity's personality is locked within her Nox Nyctores, Arma Reboare: Muchōrin (雷轟・無兆鈴 Raigō: Muchōrin), and she is only able to come to the surface for brief periods of time. In Central Fiction, Trinity has separated from Platinum, and Luna and Sena are in danger of disappearing. They are saved thanks to Jin's Power of Order. Platinum's Drive, Magical Symphony, equips her with a special item to use in battle. Playable in BlazBlue: Continuum Shift Extend [ ] Relius Clover [ ] Voiced by: (Japanese); (English) Relius Clover ( レリウス=クローバー, Reriusu Kurōbā) is one of the three main antagonists of the series, alongside his partner, Yūki Terumi, and their mistress, Hades Izanami, and is also Carl and Ada's father, and Ignis' husband. He's a genius alchemist known as the Puppeteer, and revealed in Central Fiction to be formerly a wizard known as One, using both magic and science for his inventory. His inventions include the artificial humans, Hazama and Saya, which were both used to host Terumi and Izanami respectively, the Murakumo Units, which themselves consist of Nu-13, Lambda-11, and Mu-12, and the Nox Nyctores named Deus Machina: Nirvana, which he harvested his daughter's body to create. He completed the latter with help from Kokonoe of Sector Seven, only for his son Carl to steal it and use it against him. His own puppet, the Fluctus Redactum: Ignis ( デトネーター・イグニス, Detonētā: Igunisu), was created from the body of his wife, Ignis, who is similar in appearance to Nirvana. He summons Ignis into battle with his Drive, Detonator. In the end of Central Fiction, Relius escapes into the boundary. His current fate is unknown. Playable in BlazBlue: Chrono Phantasma [ ] Amane Nishiki [ ] Voiced by: (Japanese); (English) Amane Nishiki ( アマネ=ニシキ) is an effeminate young man clad in a kimono who's drawn to battle like it is a dance stage. He's armed with a seemingly living piece of cloth and his Drive, Spiral, involves transforming it into drills. It is hinted that he is immortal and seems to be acquainted with Rachel, who calls him 'Uzume'. In Central Fiction, he is an onlooker much like Rachel and decides to go on a more active role. Bullet [ ] Voiced by: Toa Yukinari (Japanese); (English) Bullet ( バレット, Baretto) is a mercenary who's been fighting and moving from battlefield to battlefield since a young age. She lost her entire squad during a mission for Sector Seven, and she seeks Kokonoe to find her answers as to why the tragedy happened. Once she got all answers needed, including from the Sector Seven's traitor, Azrael for injuring her captain, leading his transformation into a cyborg Iron Tager when Kokonoe rescues him, Bullet joins Sector Seven as her captain's partner once again in the end of Central Fiction. Her Drive, Lockon, allows her to rush towards her opponent to grab and throw them. Azrael [ ] Voiced by: (Japanese); (English) Azrael ( アズラエル, Azuraeru) is a fist-fighting soldier of Sector Seven whose strength seems unnaturally high. He enjoys violence and relishes the idea that he is fighting over life and death. One of his victim was Bullet's captain, who become a cyborg known as Iron=Tager, leading Bullet took a blame on Sector Seven and seeks answers for the apparent death of her captain. During a coliseum battle, he reveals to Bullet that he was the one who fatally injures the human Tager in the past before Ragna foolishly took her place to battle Azrael, with Azrael having a great chance to force Ragna to let the Azure in him out for a real battle. Unimpressed that Ragna suppressed himself from being controlled by the Azure, he fights Kagura, who takes Ragna's place. Though impressed at first during his fight with Kagura, Azrael's being tricked by a trap set up by Kagura, Tager and Kokonoe themselves, transporting him to a dimensional prison that he cannot escape. However, in Central Fiction, he got out from the dimension Kagura, Tager and Kokonoe trapped him into. He soon confronts the former Six Heroes Terumi, whom both Azrael and Terumi considers themselves are both equally destructive. In the end, he is soon captured and frozen by Kokonoe permanently to make sure Azrael never causes chaos again. His Drive, The Terror, allows him to find weak points on his opponents to exploit. Izayoi [ ] Voiced by: (Japanese); (English) Izayoi ( イザヨイ) is the form Tsubaki undertakes after the spell the Imperator placed on her has been broken. Turning away from the darkness of the past, she now takes up her sword to punish all crimes and seek out the 'true light', until her friends Noel, Jin and Makoto, as well as Hakumen saved her, leaving Tsubaki able to gain full access to this form. Her Drive is named Scarlet Justice, which increases the speed and power of all her special attacks while in Gain Art Mode. Izayoi is designed to kill Observers and use her 'Immortal Breaker' ability, and she is the prototype Murakumo. Kagura Mutsuki [ ] Voiced by: (Japanese); (English) Kagura Mutsuki ( カグラ=ムツキ) Kagura is the representative Novus Orbis Librarium officer in the 5th Hierarchical City of Ibukido, and is known by the nickname 'Black Knight'. He is one of the disciples of Tenjo and plotting to overthrow the NOL to fulfill his master's wishes to have his master's son succeed as the true Imperator and reforming NOL. Kagura is also a member of the powerful Mutsuki family. His Drive, Black Gale, puts him into a stance where he can perform different moves. Kokonoe [ ] Voiced by: Chie Matsūra (Japanese); (English) Kokonoe ( ココノエ) is Tager's superior at Sector Seven, Lotte (who became Arakune) and Litchi's former employer and Jubei and Nine's daughter. She is a half-beastkin, two of the Six Heroes, though she shows unexplained disdain for this fact, supposedly 'staying angry for weeks' when Jubei is mentioned. Kokonoe is a rather serious and cynical woman with no regard for emotions, and always strives for Tager to complete his missions without fail; however, she can on rare occasions be quite personable, mostly around her creations. She's displayed and perceived as cranky most of the time. Deep inside, she had been suffering alone and it was revealed that her true mission was in fact to defeat Terumi whom she held a grudge due to him killed her mother and recently turning her mother into an evil revenant, which led her to treat her creation in nice way due to her thinking her own creation as her own child (a trait that she apparently inherited from Nine), she is also revealed to be a powerful magic user herself but she use a special equipment to amplify her power. With her Drive, Graviton, Kokonoe uses a small machine that pulls her opponent towards it. Yūki Terumi [ ] Voiced by: (Japanese); (English) Yūki Terumi ( ユウキ=テルミ) is the true main antagonist of the BlazBlue series. His true identity is, as in the will of the unit itself, before separating himself to spite his sister unit Amaterasu. He works alongside Izanami and the mad scientist, Relius Clover, is the true catalyst of the series' events, and is considered to be Ragna and Jin's archenemy. Terumi is a ghost in a synthetic body named Hazama, and is the main antagonist and a playable character in Continuum Shift, prior to his separated original form which debuted in the console version of Chrono Phantasma. He created both the Black Beast and the Azure Grimoire, founded of both the NOL and Sector Seven factions with Izanami as the commander, and is the main cause of Ragna's current state. He was also a member of the Six Heroes, but later betrayed them after helping them destroy his own Black Beast, much to his mistress' outrage. Like Hazama, Terumi fights with the Nox Nyctores, Geminus Anguium:, and balisong knives. With his Drive, Force Eater, his attacks have heavy Heat Gauge gain, while the opponent gains none from being hit by (or blocking) them. In Chrono Phantasma, Terumi and Hazama have been separated, and Terumi was killed by Hakumen and Platinum the Trinity, while Hazama abandoned him to start his life anew. But in Central Fiction, Terumi used self-observation to survive but has only a week to live until he finds a new body and decided to use the Hihiirokane, a cube that can take on many forms, as a way to get a new body as in his original body from Hakumen. Eventually he transforms into Susano'o again and becomes the final antagonist, but only to be stopped by Ragna, with the help of Trinity and Jin (who obtained and donned the armor in a form of his future-past self, Hakumen after Ragna separates it from Terumi), and dies for good. Playable in BlazBlue: Chrono Phantasma Extend [ ] Celica A. Mercury [ ] Voiced by: (Japanese); (English) Celica A. Mercury ( セリカ=A=マーキュリー, Serika Ē Mākyurī) is Nine's younger sister, and Kokonoe's aunt. She is a powerful magic healer whose true power is the control over the flow of life, though she cannot heal seithr poisoning. During the Phase Shift novels, Celica briefly traveled with Bloodedge during the Dark War, whilst trying to find information about her father, Shūichirō Ayatsuki. After the Dark War, she watched over the Black Beast's remains and built a church, waiting for a chance to reunite with Bloodedge. She was also the foster parent of Ragna, Jin, and Saya, and was killed by Yūki Terumi attack on the church in 2192. In Chrono Phantasma, Kokonoe makes a copy of Celica's soul, using the time when Celica temporarily entered the Boundary and placed it in a cloned body. Celica's clone is all around the same as the original Celica being a time extracted clone from the Boundary. However, the clone Celica has a short lifespan as she was created for the sole purpose to be the catalyst of activating the Lynchpin before her status as a Chronophantasma makes her fade away. She was created to activate the Lynchpin to put a halt in Izanami's schemes. Celica's weapon is Ex Machina: Minerva ( 自動人形・ミネルヴァ, Ekusu Makina: Mineruva), an automaton that was created by Kokonoe and copied from the Nox Nyctores, Deus Machina: Nirvana. Its purpose is to protect Celica and amplify her powers. Celica's Drive, Minerva, enables her to control Minerva in battle. Playable in BlazBlue: Central Fiction [ ] Hibiki Kohaku [ ] Voiced by: (Japanese); (English) Hibiki Kohaku ( ヒビキ=コハク) is a character who appears mainly in Kagura Mutsuki's story scenarios, providing support and back-up for him from a nearby distance. His relationship to Kagura is interesting as he would do anything in service to the man, but will criticize his actions often (such as excessive drinking or his behavior towards women). Despite his attitude to his boss, he somewhat admires him. His behavior and Kagura’s bounce off one another, leading to a complicated, but very deep relationship. He is described as 'a pretty boy with a poison tongue'. In truth he is a disturbed individual who desires to become an emotionless killer. Hibiki's Drive, Double Chase, allows him to make a duplicate of himself. Naoto Kurogane [ ] Voiced by: Naoto Kurogane ( ナオト=クロガネ) is the main protagonist of the novel series, Bloodedge Experience. He is gifted with the Hunter's Eye and is the servant of Raquel Alucard. His life-force value hovered around 9,810 until he became Raquel's servant. In Central Fiction, Naoto is searching for Raquel. As revealed by Relius, the Naoto from the original timeline is actually long dead after Clavis Alucard killed him, while this Naoto is actually from another world where he survived and is alive and well, and now he is stranded in the current BlazBlue world. When he talks to Raquel through Rachel, he is tasked by his mistress to save the world he's currently in, as their world is connected and is in danger of disappearing. He acts as an uncle figure for Ragna, Jin and Noel/Saya if Celica isn't around. After helping Ragna to remember his duty to stop Terumi, as Naoto believes in him, the Bloodedge Experience timeline where Naoto is alive is finally restored and Naoto finally returns to his homeworld. With his Drive, Bloodedge, Naoto creates iron objects from blood. His brown eyes turn red and his brown hair turns white through heavy usage. Mercury [ ] Voiced by: (Japanese); (English) Konoe A. Mercury ( コノエ=A=マーキュリ, Konoe Ē Mākyurī), known by the alias Nine ( ナイン, Nain), is a witch and one of the Six Heroes. She passed down her knowledge of magic to mankind during the Dark War. During the Dark War, she created the Nox Nyctores in order to help humans fight against the Black Beast. After the war, she discovered what Terumi's future plans were, and he killed her (this action is why Kokonoe despises Terumi). In Chrono Phantasma when she is revealed to be the true identity of Phantom ( ファントム, Fantomu), Rachel theorized that Terumi pulled Nine's soul from the Boundary and placed it in a vessel. In Central Fiction, around the same time Celica fades away from being a Chronophantasma, she helped Ragna and Noel (who later merges with Mu once again) to weaken Izanami for Noel, in Mu form, to merge with Izanami and return as Saya again in progress (though possibly temporarily). Nine's Drive, The Abyss Diver, activates a spell stored in her Active Slot. Hades Izanami [ ] Voiced by: (Japanese); (English) Hades ( 冥王イザナミ, Meio Izanami) is one the two main antagonists of the BlazBlue series, alongside her right-hand servant, Yūki Terumi. She is the main antagonist of Chrono Phantasma and the majority of Central Fiction, and is considered to be Noel's archenemy, until she (possibly) dies before Central Fiction's final moments, at which point Terumi becomes the final antagonist,, in hopes of reviving her. She is also using Saya as her vessel, and it might be possible that the Azure Grimoire contains a portion of her true power, and that the Black Beast might be a clone of her true form. She appears at the end of Continuum Shift as the NOL Imperator, and the one who commands both Terumi and the mad scientist, Relius Clover. She is the drive of the Master Unit Amaterasu, but grew a soul inside her vessel Saya, who is showing signs of decaying. However, Izanami is actually Saya's evil-half, due to a result of Relius' invention of the Murakumo Units causing Saya's good-half to possess the Murakumo Unit Mu-12, which became Noel Vermillion, leaving the original body in Izanami's possession. It is also revealed that both Noel and Izanami are actually 'The Origin's halves. She is eventually beaten and forced to be merged with her good-half, Noel/Mu, to become Saya again, with the help of Ragna and Nine with her dying breath, though it is hinted that Izanami might still be alive, and is plotting revenge inside Saya's soul. With her Drive, Sharin, Izanami activates her weapon, Yasakani no Magatama ( ヤサカニノ禍魂), allowing her to shoot Magatama projectiles, but removing her ability to block. Es [ ] Voiced by: Es is the main heroine of XBlaze Code: Embryo and the true protagonist of XBlaze Lost: Memories. She is also the true identity of Nobody, one of the main characters of the game. She makes her first playable appearance in BlazBlue: Central Fiction, introduced in the console version as DLC. Es's Drive, Crests Arts, turns the trail of her sword attacks into a trail of damage dealing Crests. She is the gate keeper of the Azure and while she still remembers her loved ones she seems to regress back into her emotionless state but the true Azure guardian was Ragna and during the ending, after Ragna restores the world, she still guards the gate due to the fact that this Es was created by the Azure as stated by Susanoo. Mai Natsume [ ] Voiced by: (Japanese); (English) Mai Natsume ( マイ=ナツメ) is the protagonist of the manga Remix Heart, the manga Variable Heart, two side-stories in Chrono Phantasma Extend and introduced as a playable character in the console version of Central Fiction. She is described as being cheerful and forward-looking, sincerely sympathetic towards others and valuing her friends above all else. Mai was a classmate and friend of Noel Vermillion, Tsubaki Yayoi and Makoto Nanaya, as well as the roommate of Kajun Faycott, during their time at the Military Academy. After leaving the academy, Mai worked for Sector Seven alongside Kajun under Kokonoe. After Izanami and Terumi's reign of terror is (possibly temporarily) over during the finale of Central Fiction, Mai, Kajun and Litchi help Platinum the Trinity as a new member of Litchi's branch. Her true name is Mai Hazuki ( マイ=ハヅキ) and she is the heir of one of the twelve noble families that govern the world. Mai was originally male but was transformed into a girl when she inadvertently became the vessel of the Nameless Grimoire ( 名もなき魔道書, Namonaki Madōsho). She obtained a spear during Variable Heart called Gallia Sphyra: Outseal ( 朱弾 ( ガリアスフィラ )=アウトシール, Garia Sufira: Autoshīru) which she has used ever since and which is a Legacy Weapon replica that is as powerful as a Nox Nyctores. Her Drive has the same name as her spear and enables her to throw Outseal at her opponent and then cause it to change direction mid-flight and home into them if it initially misses. Susano'o [ ] Voiced by: Susano'o, better known as the Dark Susano'o, is the true form of Yūki Terumi, back when he was the original will of the Susano'o unit, before separating himself to rebel against his sister unit Amaterasu, and is the final boss of Central Ficton. Rachel Alucard later confiscated the armor and gave it to Hakumen. Towards the climax, when Izanami dies and fuses with Noel Vermilion/Mu-12 to become Saya again (though possibly temporarily), Terumi steals Hakumen's armor and manages to become the Black Susano'o again. He then plans to kill Saya so he can revive Izanami and continue serving her, but was thwarted by Ragna, with the help of Jin (while donning the armor in a form of his future-past form, Hakumen, after Ragna separates the armor from Terumi) and Platinum the Trinity, who sent Terumi and Ragna to the Void of the Azure, where Ragna can (apparently) kill Terumi for good, though it may be possible that Terumi survived, and is plotting his revenge even now. Afterwards, Platinum takes the Susano'o armor and throws it into the cauldron. Whether the armor survived or not is currently unknown, although some version of Tsubaki seems to have taken the unit along with Okami, and sets out with Rachel to find Ragna in the game's post-credits scene. He is unlocked after completing story mode. Jubei [ ] Voiced by: (Japanese); (English) Jubei ( 獣兵衛, Jubē), also known as Mitsuyoshi ( ミツヨシ), is one of the Six Heroes and Ragna's master who battled the Black Beast alongside Hakumen. As revealed in Phase 0, he was originally named Mitsuyoshi, and did not take up the name Jubei until after the Dark War. He is a beast-man and is the father of Kokonoe. It is also revealed Taokaka and her clan were genetically engineered from his DNA. Jubei's weapon is the Nox Nyctores, Mucro Somnio: Musashi ( 夢刀・六三四, Mujin: Musashi), which is a pair of kodachi blades that can cut 'what cannot normally be cut.' He is set to be playable character in centralfiction as dlc in summer 2017 Non-playable characters [ ] Ada Clover [ ] Voiced by: (Japanese); (English) Ada Clover ( エイダ=クローバー, Eida Kurōbā) is Carl's older sister, and frequently doted on him when she was still human. Due to her affection, Carl idolized her, and frequently spoke highly of her to his friends at school (much to their amusement). One day, for reasons unknown, she agreed to become the subject of one of her father's experiments, but according to the story, there was a possibility Ada was forced. Black Beast [ ] The Black Beast ( 黒き獣, Kuroki Kemono) is the legendary beast that threatened to cause much calamity before the series' start. It was confronted by the Six Heroes and sealed away. In actuality, it is a combination of Ragna and Nu-13 fusing together inside of the Cauldron (i.e. Ragna is its body, and Nu was its heart). Although in XBlaze, the original Black Beast was referenced when it was sealed by the original azure shrine maiden. Ragna and Toya can transform into the Black Beast on their own in the bad endings, and Arakune is in the process of becoming one in Central Fiction. It was revealed that during the Prime Field War, humanity created the first Black Beast to kill all the prime fields, including the Origin, but the Origin's evil half, Hades Izanami, took control of it and used it to destroy the world. After the Black Beast was beaten and sealed away, the Origin's good half, Amaterasu, recreated the world. Bloodedge [ ] Voiced by: (Japanese); (English) Bloodedge ( ブラッドエッジ, Buraddoejji) was an ordinary man who single-handedly halted the Black Beast for an entire year during the Dark War and gave the Six Heroes the time to teach humanity magic to fight back. His sword and jacket are now in Ragna's possession following his death, though it is revealed that Bloodedge is actually Ragna from the future during Chrono Phantasma. Clavis Alucard [ ] Voiced by: (Japanese); (English) Clavis Alucard ( クラヴィス=アルカード, Kuravisu Arukādo, also incorrectly romanized as Claudius Alucard) was the previous head of the Alucard family, said to have lived for over a millennium. He watched over the human race and helped prevent the Black Beast from destroying them, as well as sealing Yūki Terumi inside the Boundary before the Six Heroes were formed. Rachel Alucard is his daughter, and Valkenhayn R. Hellsing served as his butler before (and after) working with the Six Heroes. Homura Amanohokosaka [ ] Voiced by: Homura is the son of the former NOL Imperator Tenjō Amanohokosaka. Following the abandonment of the post by Saya, he assumes his rightful role as Imperator. Ignis Clover [ ] Ignis Clover ( イグニス=クローバー, Igunisu Kurōbā) is Relius Clover's wife, and Ada and Carl's mother. Like her daughter, she was transformed by her husband into the battle doll named Fluctus Redactum: Ignis ( デトネーター・イグニス, Detonētā: Igunisu, Detonator: Ignis). She does the bidding of Relius Clover, engaging in combat on his command. She is one of Relius' Detonators whose powers can rival those of the Nox Nyctores. Ikaruga Ninjas [ ] Ikaruga Ninjas are Bang Shishigami's familiars and remnants of the proud ninjas of Ikaruga. They are often seen by Bang's side as his loyal followers after they all moved to Ronin-Gai after the Ikaruga Civil War. Totokaka [ ] Totokaka is a wise and old member of the Kaka Clan who seemingly supervises the entire clan. She is quite intelligent, unlike most other members of the clan, and she speaks very articulately, lacking the feline verbal tic common among most Kaka Clan members. Kajun Faycott [ ] Voiced by: (Japanese); (English) Kajun Faycott ( カジュン=ファイコット, Kajun Faikotto) is one of the main characters of the manga BlazBlue: Remix Heart. She was Mai Natsume's eccentric roommate at the Military Academy. In reality, she was an undercover agent from Sector Seven that was sent by Kokonoe to obtain the Burning Red Grimoire. Kazuma Kuvaru [ ] Kazuma Kuvaru ( カズマ=クヴァル) is the protagonist of the novel BlazBlue: Phase Shift 1, but turned into one of the main antagonists within the current Phase Shift series. Suffering from amnesia and hallucinations, Kazuma is unable to remember anything seven years prior to the start of Phase Shift 1. He disliked physical activities, and preferred to stay in-door reading. With Relius Clover (his tutor at the time), he apparently traveled the world, then studied at the Magic Guild. Apparently, due to being quiet and disliking the outdoors, some people become uneasy around him. He was actually an artificial body for Yuki Terumi in which he succeeds in merging with him and was lost in the Boundary with his successor Hazama taking his place. Linhua [ ] Voiced by: Yukiko Kato (Japanese); (English) Linhua ( リンファ, Rinfa) is a young girl who works as Litchi's assistant in her clinic in Orient Town. Linhua admittedly looks up to Litchi, and even looks out for her well being, to the point where she even fights against Tager in the story to protect her, punching his giant, metal hide until her fists began to bleed. Lord Tenjō Amanohokosaka [ ] Lord Tenjō ( 卿テンジョー, Kyō Tenjō) was Bang Shishigami's former sensei and leader of Ikaruga before she was slain by Jin Kisaragi during the Ikaruga Civil War. This caused Bang to seek revenge on him. In one of Bang's endings in Story Mode, Valkenhayn R. Hellsing mentions that Lord Tenjō's son might still be alive. Bang heads to Ikaruga in his canon ending to find the answers he seeks. Nago and Gii [ ] Nago: Voiced by: Masaru Suzuki (Japanese); (English) Gii: Voiced by:, Kazue Fujita (Drama CD) (Japanese); (English) Rachel's servants who are her weapons in battle. Nago ( ナゴ) is Rachel's black transmogrifying cat that speaks and acts just as snobbishly as her. He is often seen in umbrella form but he could also morph into and be used as either a Lobelia (bat ) cannon or a comfy chair. Gii ( ギイ) is Rachel's stout red bat familiar. He is often burdened by Rachel's orders during teatime, or her fits wherein she has the penchant of either using him as a or pinching his cheek. Due to his chubbiness, he is either mistaken for a flying pig or have at least been threatened to be eaten twice in the Story Mode. Raquel Alucard [ ] Voiced by: Raquel Alucard ( ラケル=アルカード) is one of the main characters in Bloodedge Experience light-novel. Her life-force value hovers around 80,000,000. She is the one who revived Naoto through turning him into a dhampir like Rachel did on Ragna, giving him the power of the Azure and the Drive, Bloodedge, in which regenerated his old right arm and manifested a weapon from his blood. Saya [ ] Voiced by: Kanako Kondō ( Calamity Trigger, Continuum Shift), ( Continuum Shift Extend ~ onwards) (Japanese);, (child) (English) Saya ( サヤ) is the younger sister to both Jin and Ragna. She was born with a frail body, and throughout her life, she was bullied by her brother Jin. Her other brother, Ragna, was much more caring, spent much time with her. Jin grew jealous of the relationship Ragna and Saya shared, and eventually attempted to kill her, immediately after she gave Jin the Nox Nyctores, Yukianesa. She was then kidnapped by Yūki Terumi that day in Calamity Trigger, and was given unconscious to Relius Clover to be used as a 'vessel' for Hades Izanami. In Central Fiction, it is revealed that Saya is a doll designed by Relius to host Izanami, in the same way Hazama was for Terumi, but is slowly starting to decay. However, it turns out that Saya's soul split into two artificial bodies Relius created, one residing within Mu/Noel's body, whom managed to escape from Relius and Terumi, but gaining amnesia afterwards, leaving her lifeless weak body behind, while Izanami has Saya's negative soul, leaving the original body soulless and becomes known as 'The Origin', until in a recent Centralfiction event where Noel and Mu's body and souls becomes separated. Once Noel, merges with Mu, Izanami and 'The Origin' to become Saya again, her original body's illness is cured but still goes by her current Noel alias, though it is hinted that Izanami still resides in her soul, plotting revenge. Shūichirō Ayatsuki [ ] Shūichirō Ayatsuki ( シュウイチロウ=アヤツキ) was a scientist, alive before the Dark War. He is the father of Nine and Celica, and later the father-in-law of Jubei and the grandfather of Kokonoe. Shūichirō Ayatsuki was a scientist working with Relius Clover and to some extent Yuki Terumi, referred as the man with green hair and a snake-like smile, before the emergence of the Black Beast; he died shortly after its creation. Takamagahara [ ] Voiced by: Unknown (Japanese);,, and (English) The ( タカマガハラ) are three entities named TA, TB, and TC. The Takamagahara is the 'supreme program' created by mankind, and its goal is to destroy the Master Unit, Amaterasu, so that it can control the flow of space and time and give existence a cold, mechanical sense of order. It is also the one responsible for the time loops in Calamity Trigger every time their plans fail. At the end of Continuum Shift, Terumi is able to trick Takamagahara with the help of the Izayoi to blind them, using Ragna defeating Mu as a distraction, and upload a virus created by Phantom to infect them, so that Izanami can take over its powers and use them to conduct Takamagahara's plan herself. The Origin [ ] Voiced by: The Origin is the first prime field device and the one who discovered the Master Unit: Amaterasu. She started to develop a will and eventually became the Master Unit's core where she would use it to recreate the world in her image but her hero the Central Fiction is Ragna who she desires fails to save her and she was split into Saya who in turn was split into Noel/Mu-12 and Izanami. Eventually, Ragna devours her desires by having the Origin fuse with Noel/Mu and Izanami into becoming Saya again with some fragment inside the Master Unit but Ragna used Soul Eater to take it inside the gate. It's unknown what happened to the Master Unit after that, though subtle hints have been shown that Izanami still exists inside Saya's soul, plotting revenge at this very day. Tomonori [ ] Tomonori ( トモノリ) is Jubei's younger brother, Konoe's brother-in-law, and Kokonoe's uncle. He appears briefly in BlazBlue: Phase Shift 1, attempting to stop Yūki Terumi from merging with Kazuma, but he is unsuccessful and was killed. Torakaka [ ] Voiced by: Kaori Yagi (Japanese); (English) Torakaka ( トラカカ) is a warrior of the Kaka clan. She is Taokaka's mentor, former village guardian, and is very knowledgeable about the current situation, as she is able to (seemingly) recognize Litchi being seduced by the Azure Grimoire in an injured Ragna's possession and stop her from acting on the impulse. Contrary to how Torakaka looks, she speaks quite dignified and sparingly uses the feline verbal tic Taokaka has. Tager also comments on how much more clever she is than the rest of the Kaka clan. Trinity Glassfille [ ] Voiced by: Aoi Yūki (Japanese); (English) Trinity Glassfille ( トリニティ=グラスフィール, Toriniti Gurasufīru) is a member of the Six Heroes, and the true form of Platinum the Trinity who had her soul sealed within the Nox Nyctores, Arma Reboare: Muchōrin. During the Dark War, she was known as the Platinum Alchemist ( プラチナ=アルケミスト, Purachina Arukemisuto). She studied at the Magic Guild alongside Celica and Nine. Due to a comment dropped by Hazama, she was implied to be indirectly responsible for allowing him to kill Nine, due to him tricking her into releasing Nine's 'Ruby: Mind Eater' spell from him which allowed him to kill both Trinity and Nine, as explained in one of the Phase Shift novels. In Central Fiction, she is now in her own body separate from Platinum. In the ending she passes on to the afterlife. XBlaze characters [ ] Toya Kagari [ ] Voiced by: Yukitoshi Kikuchi Toya Kagari is the main protagonist of XBlaze and uses the powers of the titular artifact, which is similar to that of Ragna's. Hinata Himezuru [ ] Voiced by: Rei Mochizuki Hinata is the adopted younger sister of Yuki. She is the titular Code Embryo. Kuon Glamred Stroheim [ ] Voiced by: Yui Kondō Kuon is a major character in XBlaze and is the user of the Legacy Weapon: Sealed Spear Izayoi. Mei Amanohokosaka [ ] Voiced by: Inori Minase Mei is a descendant of the priestess of the Azure and the ancestor to Tenjo and Homura from BlazBlue. Akira Kamewari [ ] Voiced by: Yoshimasa Hosoya Akira is Toya's best friend and carries a willpower similar to the power of order. Mercury [ ] Voiced by: Chie Matsura Marcelyn F. Mercury is one of the Ten Saints under Zwei and also known as Ringo Akagi. She also is implied to be Nine's ancestor. Yuki Himezuru [ ] Voiced by: Tomomi Isomura Yuki Himezuru is the adoptive older sister to Hinata and the daughter of one of the victims of Ripper. Elise von Klagen [ ] Voiced by: Nozomi Yamamoto Elise is a messenger of the Magic Guild and a partner to Kuon. Kazuto Kotetsu [ ] Voiced by: Akira Kanazawa Also known as Avenge he had been hunting down the serial killer Ripper and is implied to be a scientist. Soichiro Unomaru [ ] Voiced by: Takahiro Sakurai Soichrio Unomaru is one of the antagonists of XBlaze and one of the creators of the T-system. He was killed by Sechs. He also shows some similarities with Terumi/Hazama and was also called a snake. Ryoko Kagari [ ] Ryoko is a minor character in XBlaze and is the mother of Toya Kagari. Ripper/Freaks [ ] Voiced by: Kenichi Suzumura Ripper is a serial killer with similar abilities of a Kaka though he does have a similar appearance of Hazama. He was killed by Avenge, the man hunting him down thorough out the game. He returns in Lost Memories as Freaks the main villain. Es-N [ ] A group of artificial humans created by Sochiro to capture Toya and almost all of them died while some live with Mei and their appearance is similar to Nu. Acht [ ] Voiced by: Yoshida Seiko A woman who was a member of the Ten Saints in XBlaze and uses ice powers. She died by turning into seithr. Drei [ ] Voiced by: Kentaro Tone Drei was a member of the Ten Saints under the number three and was killed at the end. Sechs [ ] Voiced by: Tomokazu Sugita Sechs under the title Six of the Ten Saints is the main antagonist of Code Embyro and the half-brother of Kuon. He is also similar to Ragna, like Toya, but has his voice and appearance similar. He is also shown to be collaborating with someone he was talking through a Crystal and was killed by Toya. 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Download Learning Management - https://themeforest.net/item/edulms-wp-learning-management-system-theme/9443786?ref=blueberry1. Leave a Reply Your email address will not be published. Required fields are marked * Comment Name * Email * Website Notify me of follow-up comments by email. Notify me of new posts by email. Notice: It seems you have Javascript disabled in your Browser. In order to submit a comment to this post, please write this code along with your comment: 409d40229ef19ff5b0bb5e BusinessX – Free Bootstrap Business Website Template Search for: Recent Posts • • • • • Archives • • • • • • Categories • • • • • • • •. Colour coding From a design point of view, there’s no getting around the fact that Battery 3 has been showing its age for some time. Although its cell based matrix of drum pads remains a great approach to beat programming and sound triggering, the grey and green combination was never our favourite. This thread provides information about upcoming patches for Battery. It will be updated whenever new information becomes available. ![]() Indeed, while colour-coding of pads was possible there was little continuity from one kit to the next. The only way to track down sounds was either to audition them or to squint hard at the interface. Battery 4 addresses this head-on with a much better design. Without a trace of light grey or green, the layout is now a slicker, darker affair. Colour coding is more straight-forward too, with preset kits now mostly showing kicks in red, snares in yellow, claps in pink, hats in light blue and so on. Below the matrix of pads in the upper surface, the middle of the GUI is dominated by the waveform display whose waveshapes match the colour of the pad you’ve selected for editing. Neatly, key parameters such as Tuning, Key Range, instant Reverse, Pan, Volume, Phase invert and L-R switching are available to the right. Mercifully, start and End flags on the waveform itself make selecting the active area of any sample straightforward. Assault and Battery The lower part of the GUI concerns basic modulation possibilities, starting with Volume and Pitch Envelopes for each pad that feature two different Envelope configurations for each. Velocity can be mapped to Volume or Pitch (or both), while a simple ‘dual’ filter design lets you scoop out bass and treble from either end of the frequency spectrum at the same time. Each pad features its own Compressor that keeps things simple on this main page with a basic Amount dial only, while send dials to the Delay and Reverb modules (we’ll come to these shortly) lie on the right. Overall this makes Battery 4’s workflow quicker, though the best development on this front comes from a new tagging system for individual sounds within the plug-in’s library. Building your own kits used to involve a lot of faff but now Battery 4 contains kit piece names that are further sub-categorised (acoustic, analog, electronic) so that you can audition via Battery’s own browser to drag and drop hits into the cells you want them to fit. In-depth configuration Once you’ve exhausted these initial sound sculpting tools, you can go under the hood of your cells and overall kit configuration via a series of tabs at the bottom. The Effects tab opens up more per-cell sonic treatments with Saturation, Lo-Fi, Filter/EQ and Transient Designing modules, as well as a complete set of controls for the Compressor module mentioned earlier. Further to the right, the Master tab allows access to sub-grouping Busses, the Reverb and Delay master modules, as well as Global Filter/EQ, Compressor, Limiter, Transient Designer and Saturation modules. The Modulation tab offers multiple opportunities to ‘interrupt’ signal flow with twin LFOs and a dedicated Modulation envelope, and drop down menus let you assign these to the parameters of your choice. Brilliantly, the waveform display toggles from LFO or Envelope shapes and the waveform of the sound you’re processing as you hover over parameters, which is neat and hugely effective. Oodles of options Even though this version has been a long time coming, it’s been worth the wait. Design wise, we’re happy to leave the old version’s looks firmly in the past. Workflow has been so significantly improved that once you have familiarized yourself with what’s new, beat building becomes more fun than ever. The new kits sound great and with the integration options – Battery 4 will accept samples from a wide range of file types – there’s no need to stick with NI’s own libraries of content because you can so easily expand these with your own. Once you have configured sounds into cells, the giant strides NI have taken in terms of effects processing in recent years make their presence felt here too. Certainly, I would have no hesitation in recommending Battery 4. In fact, it should be considered towards the very top of your list if you’re looking for a software only drum plug-in. There's a pretty nasty bug in the PS2 version where CotS data would end up being corrupted if one deleted other game files on the same memory card. At least, I'm guessing that may be why. Donda • 3 years ago. Pinky Dango • 3 years ago. Lovely game and the character customization fits oddly enough. Ctrl+F 키를 눌러서 찾아보세요~~ -ps3 한글정식목록- 007 QUANTUM OF SOLACE (iso) 한글 BLKS20088 2.52 08.91 GB 2010 FIFA World Cup™ South Africa (iso. Soul Calibur IV – PS3. You need uTorrent for downloading.torrent files. Download Games Torrents for PC, XBOX 360. Soul Calibur Broken Destiny USA Full ISO. — William Cassidy of GameSpy on the Atari 7800 port of The dark side of (though not necessarily mutually exclusive) and a 's favorite variety, Game Breaking Bugs are severe bugs that cripple your ability to play the game involved. They’re almost as old as gaming itself. Game-Breaking Bugs were more prevalent in the earlier days of gaming. Many games that were made after seem so much easier because of the reduction in such bugs on average. It was also incarnate, since several licensed games actually may not have been as bad as many people say they were. If not for game breaking bugs that slipped past the beta testings () and made them literally unplayable. In these days of mainstream, multi-million dollar titles, developers seem to favor release dates over thorough quality assurance. With the advent of integrated network play, developers also seem to favor releasing patch after patch (if they even bother) and treat their paying customers as unpaid testers. The flaw with this approach is that it alienates a sizable chunk of gamers (in this case, gamers who live in a house without a high-speed internet connection). The growing prevalence of (especially in the context of facilitating emergent gameplay) can often cause essential game entities to be launched or pushed into places outside the player's reach or destroyed through unexpected methods. The sheer number of possible outcomes makes this type of game breaking impossible to fully prevent and even the few games lauded for their stability have an occasional hiccup for which the developers can only suggest reloading a saved game. Note that the presence of one of these doesn't necessarily make the game itself bad; many programs have been quite entertaining despite horrible bugs. One should also probably keep in mind that a lot of bugs only occur in certain builds of the game. In today's market, where even console games can be patched, it's incredibly rare to have a game-killing glitch maintain itself for very long. Soulcalibur III continues the franchise on the Playstation 2. This installment adds a character creator, along with other new features. The very worst of these can cause a game to be no matter what the player does (except, possibly through a counteracting Good Bad Bug). Bugs that always happen at the same point of an are known as. Not necessarily the same as a that results from a programming bug; those are typically Good Bad Bugs, which are harmless, but examples of ones that use Game-Breaking Bugs exist; read on. When something simple in a story causes the end of everything, it's a. • for the original Xbox would sometimes BSOD the console right before a boss (in the mansion), and sometimes you could reset the game, even from playing again from start, and still get that BSOD every single time. Also, the game would sometimes freeze after the helicopter scene, triggered by an unknown glitch earlier in the game that would affect all subsequent saves. • Series • was if the player saved and quit at the wrong time after crossing a bridge. A required character would also turn invisible if the player saved and quit in the wrong area. He could still be utilized, so the game was not unbeatable, but this was still a frustrating bug. • In the original copies of the Wii version of the game, the aforementioned required character was outside the room behind a sealed door, in which case it actually was unwinnable. • By simply returning to the title screen and playing a different save file, you can trigger a number of glitches due to a variable that tracks overall game progress not being reset. ![]() Most of the time you end up harmlessly skipping a cutscene, but in one instance it's possible to make the monkeys in the forest temple disappear completely, making progress impossible. • Drinking a potion while carrying a small item will cause the item to automatically drop so Link can handle the potion but not register it as being out of Link's hands. Throwing the item after this will instantly crash the game. • In, it is possible to destroy a palace without completing it by using a glitch caused by activating the fairy spell while off-screen, meaning you won't be able to place all six crystals in the palaces. Of course, this would require. • In, you can buy a shovel, then trade it for a boomerang. However, at that point, you can buy a second shovel, leaving you with both. Since the game's inventory is limited to exactly how many items you're actually supposed to pick up, carrying both shovel and 'rang leaves you unable to pick up the last item in the game, which of course is required to win. So you try to solve the problem by wasting all of your Magic Powder to free up that one extra space in your inventory. Now you can grab that final item! In turn, however, this does render the Final Nightmare's first form literally impossible to beat. The games, which play very similarly to Link's Awakening, including having an item system that works about the same way, avert this by seemingly having been made with the staff aware of this bug; this pair of games actually has enough spaces that several will never be filled, even when no items are equipped and everything is filling a slot. • In the Eagle's Tower, if you must save and quit before smashing the four pillars, then for Nayru's sake throw the orb used to smash the pillars down a pit. If you don't, it will be erased and the dungeon won't be winnable. • features the famous 'bottle trick,' which lets you turn any item in your inventory into a bottle. This one treads the line between game-breaking and the. If used on a useless item, such as the Goron Check Claim after you've claimed the Biggoron Sword or the Magic Beans after you've planted them all, you get an extra bottle you can use to store useful items. But it's possible to turn any item into a bottle — and if you do this to a game-crucial item? You can also do the same in, if you press Start at the exact right time when selling a bottled item to the curiosity shop, then change which item is in the C button slot. You can replace anything with an empty bottle that way. • Also in Ocarina, you can freeze the game in the Gerudo's Fortress if you push the Ocarina button right when they spot you. • Majora's Mask has a few other examples as well: • There's a glitch where you can equip the Fierce Deity mask outside boss battles. If you try to talk to anyone, or do certain other things, it crashes the game. • You can also dive to the underwater chest in Termina Field in normal form, and the 'Open' icon will appear. If you push the button, though, the game freezes. • In the game of hide and seek, it's possible for one of the children to run into a dead end that a guard won't allow you to enter. This can sometimes be fixed by leaving and re-entering the area which often resets the children, but not always. • features a game breaker of its own—after completing the Thunder Dragon's portion of the song during the Song of the Hero quest, if you go and talk to Golo the Goron and have not started the other two quests yet, the event triggers will not happen and the game originally could not be completed until in early 2012 when Nintendo released a patching program on the Wii that downloads the patch and fixes save files. • The same game removed the fall damage, so that you would be teleported to the last normal solid ground you were standing on completely unharmed. The catch is that because of rushed collision detection in some areas, you can glitch through the scenery and fall through to a bottomless pit. You respawn on the 'bottom' of the bottomless pit, which is mistaken by the game to be solid ground, triggering an infinite loop of falling, respawning, falling. Reset Button! • Among notable spots where this glitch is bound to happen, there is a certain bridge in the Sky Keep. You wouldn't want also to swim too near next to that tree roots in the Ancient Cistern, or clipping through walls whith the clawshots in the wrong place. • In, if you jump slash on top of the chest in one of the ghost ships, the game freezes. • for the had to be recalled and replaced because the boss didn't appear on level 30, meaning it was impossible to reach levels 31-100. • As did 15th Anniversary — the game stopped saving after auto-saves. This got fixed in a re-release of the game, however. •: There is a rare glitch where your Cobweb Duster will disappear from your inventory. Normally an optional device for just collecting mental cobwebs, the route into the final level happens to have three cobwebs impeding your progress, and requires the Duster to take them out. If your Duster disappears, then you could just go back to the shop, collect ludicrous amounts of money, and buy a new one.if you weren't at the Point of No Return (as the game literally calls it) and incapable of returning to camp in order to do so. At least the game autosaves just before you hit the. Of course, you still have to fight against the same boss again. • During the last level, you need to climb on flaming grates and jump between them. Occasionally, your disables itself, causing you to fall into the water. Although this is commonly thought to be a bug unique to this area, it's just a bit of somewhat sloppy programming; when jumping across from a grate, your double jump works, but when dropping down from one (such as if you want to reach the platform below), it is disabled because there's a special animation for that. The game sometimes has trouble telling which is which, but it's only life-threatening here. • During the second Mummy level of, there is a cutscene of the and talking to each other before leaving the room, then you cross said room and find a save point in front of an open door. If you save here and then die or reload the save, the door will be closed with no way for you to open it. • • If you skip the cutscene after the first fight with Death in, a glitch triggers where the fight never officially ends. As a result, once you leave the clock room, the door never opens again. If you head to the right to save, the door won't open again as stated above and thus the game is. Head left and you can keep going.but thanks to a flag not tripping, Vincent won't sell the Rampage subweapon, and becomes impossible. Thankfully the bug's been fixed in the PAL version of the game. • In, when executing a special attack with some shortswords and knives, Soma briefly disappears and reappears behind an enemy. Or even a locked door, as long as there is some space behind it. And since most of such doors have the pressure switch to open them right behind them, this can be used for major. But go somewhere you're not supposed to go yet (i.e. Down a slope you're supposed to double-jump when you haven't acquired it yet) and save just before you realize it. • has relatively few glitches, but one of them is severe: when you're finally able to fight the SA-X, its second form (which is ) will become invincible if you shoot it with a fully-charged beam while it's transforming. Since the first form is, this is a really unfair glitch. • It's also possible at one point to get yourself stuck. • In, you can render the game by triggering the floaty-jump glitch during the fight with Chykka, then using your glitched super-jump to leave the room. When you return,, and he's taken the Dark Visor with him. • Similarly, the first North American version of got careless with one of its Chozo Artifacts: you get the Artifact of Warrior by beating the Phazon Elite, but the door doesn't lock to make sure you do so. If you leave, save, and come back, the Elite and Artifact are gone for good, and you need all twelve Artifacts to win. • Metroid Prime also had a rather nasty bug unless you frequently saved your game. Sometimes when approaching a door, the game would just simply freeze and forced you to reset. If you hadn't saved a long time, sucks to be you. Luckily, the freezing bug was quite rare to the point where it wouldn't happen twice in the same play through. • There is a bug in as stated, where a door becomes locked and unopenable after you get the ice beam. Nintendo is accepting mail-ins for save files. • had one of these in the England stage of the game. Activating the levers in the boss room of the stage, whilst passing through earlier on, will render the later boss fight. The only choice at this point is to either hope you have a secondary save (unlikely), use a save game pack if playing the PC version, or start the game from scratch. This last choice is particularly annoying, since England is one of the last stages in the game. • Many players have encountered game-breaking bugs in at various points that prevent players from finishing the game, although a patch or two has cleaned them up a bit.Except for PS3 players, who don't get one. • has a potentially fatal bug in Lud's Gate; if you save too soon after throwing a switch in the water area with, a door may be blocked by an, making the level or preventing you from obtaining the last secret. • The final level of (set in Von Croy Industries) is already challenging, but is made even more so due to being buggy regarding game saves. There are several instances where saving or loading the game in a particular area has the potential to render it due to one or other scripted sequence then failing to work correctly. Thankfully, there is a which details all these peccadilloes. • 2 has a glitch in the Sarafan Stronghold, after Moebius closes the gates to the tomb of William the Just. If you walk too close at one point in the gate, you pass through. You cannot leave, except by resetting. • The developers of had of someone and trying to complete the game without ever visiting there. Their response was to until you visited the starbase, which allows certain key variables to be set. Over 10 years after the game was released, someone almost managed to do such a run. Because another event (visiting Earth's starbase) didn't happen. It's fixed in the source port, fortunately. • The retail version of had a bug in the brewery area where, if you exited the area by any means (including save & quit) before repairing and using a wheel that activates the elevator to the lower floor, the parts needed to repair it would disappear and the game would become. It was later fixed in a patch that fortunately also made the parts reappear in already ruined saves. • There was also a nasty oversight in the first print run that made the uninstaller wipe out parts of the directory it wasn't supposed to. The patch to fix this is prominently included in later editions. • In when one of the bosses died, the staff they're supposed to drop could get stuck in a wall. As this staff is needed to complete the game the game becomes. The only way to resolve this is load and earlier save and ensure the boss wasn't near a wall when they died. • The N64 version of had several, documented (starting around 1/3 down the page). Bugs include random freezing possibly associated with a music loading error, getting stuck inside of objects and walls, getting stuck between objects, objects not functioning as they should due to unintentional, and a glitch that caused the player to enter the same room over and over again until they killed themselves to fix it. • The PC version of: Years 1-4 • There is one glitch where you can get the Lord Voldemort character token before getting all 200 Gold Bricks, but made it impossible to return to Hogwarts. • A particular example of a bug which renders the game impossible to win if you make the mistake of saving at the wrong time — Beneath one of the classrooms is a section you need to visit to collect unlockables. At the end of the section, a LEGO dragon will grab you and toss you back up into the classroom to exit — normally he will, anyway. Sometimes, he misses. At this point, he will not toss you again and you are permanently stuck. If you reset the game, you'll lose everything since your last save; if however you save and reset after this occurs, you might think the dragon will reset and toss you again, but no. At this point your save file is garbage and you will have to delete and start the entire game over if you want to continue. • An extremely nasty issue is present in the Wii version of: Years 5-7 in the Year 6 level 'A Not So Merry Christmas' where the game can crash unexpectedly, especially during the second area outside. Some players haven't suffered from this issue at all, but it has been suggested to those that do to lower their video and audio settings in order to help avoid it. •: follows in this trend. If you hold Triangle on the extras menu while selecting it, the game crashes. But the real kicker is that when you restart, the sound effects volume cranks up to 204 out of 10! And it stays like this every time you start the affected file. • is an incredibly buggy game. Falling through the scenery is very possible and the only way out is to restart the game. • On release, the game had bug with the tunnels. Ezio would be stuck in an endless loop when going through the tunnels. There was nothing that could be done save for starting the game from the beginning. Made even worse by the fact that you must use a tunnel in the game once. Players had to hope the bug didn't occur at that point. This bug however, was patched. • The multiplayer has become almost unplayable due to the recent flood of bugs. Players turning invisible or even invincible, Wanted gamemode not choosing a target and Manhunt rounds getting screwed up in one way or another. The servers are also exceptionally laggy, causing a lot of other game breaking problems. • Saving and exiting while playing as Desmond outside the Animus would result in being unable to reenter the Animus. Fortunately, this was also patched. • had a bug that randomly corrupts your savegame. The worst part is that it can be triggered by completing the story mode on 100%. Hundreds of puzzles, lost. • The version of has a bug, too. On the second playthrough of Harley Quinn's Revenge, the autosave function will stop working and instead return the player to the menu screen, preventing them from getting past the first room. •, meanwhile, has an issue with the Fast Travel feature in which Batman's ultra-high-tech plane can take a trillion years to get from one part of Gotham to the other, due to a couple of variables in the code being in the wrong place (one 'True' should be entered as 'False', and vice versa). In addition, certain areas (such as the My Alibi nightclub) can cause the map-loading to fail and eventually drop you into an infinite black void, which of course is treated as the basis for the next autosave, forcing you to start a new game because the Arkham series does not back up its saves. 2 for PC at one point has you progress by entering a cave, but your entry is blocked by interconnecting stalactites and stalagmites. Fortunately, there is a pile of unstable meteorites right in front of it, so you can lay down a thermal detonator and wait a few seconds for it to explode, clearing the way for you to proceed. Unfortunately, this pile of unstable meteorites will sometimes be located near the ceiling of this cave mouth, and not the floor. Thermal detonators can only be placed on the floor, and other explosive weapons like the rocket launcher have no effect on these meteorites. The only way to proceed is to either start a new save file and hope that the meteorites spawn on the floor this time around, or to use the cheat codes conveniently included in the game's readme file for just such an occasion - simply turn off clipping, fly through the barrier, and turn clipping back on again. • has a number of ponds littered about the game world for atmospheric purposes. However, if you climb up a structure near one and dive into one from sufficient height (not too difficult to do), the game simply freezes. Doing this on certain emulators—which are apparently more stable than the PS2 itself—causes you to be teleported into the middle of the sky. Suffice to say, once you finally make it to the ground, your death will be swift. • has a tendency to unexpectedly crash during the first battle with Dogu enemies after you reach the Moon Cave 100 years in the past. • has a nasty bug that apparently makes two lines of code continuously conflict in the background while both attempt to resolve. Long story short, never use the Dynamo weapon in the Battleplex Arena fights, especially the ones that have re-spawning ammo crates. It can lead to crashing your PS3's operating system and causing a player to have to factory reset. • Also, unfortunately, some copies of the game crash during loading screens. The most common place for the game to constantly crash is during the loading screen right after the '.Dr. Cutscene with Clank. • In the PS3 HD Remaster of there's a glitch where entering first person mode in the casino film set can cause the screen to become covered in a peach tone, which can follow you around the level after and is easily dealt with by not pressing the first person button throughout the level. But occasionally the game may cause the glitch and extend it after Ratchet exits first person making the game unplayable unless the game is reset. • has a rather unfortunate bug during the boss fight against Jellyboy. Shooting at the small floor-sliding globs he summons will cause the game to freeze. Hope you've slept in the Cave's bed beforehand! • The remake is notorious among for randomly crashing on the last stage of the. • has a nasty glitch with the final portrait ghost, Van Gore. If you beat him, open the chest, and leave the room without picking up the key from the chest (to capture a Boo, for instance), the key will vanish and you're unable to reach the. However, this is only game-breaking if you don't know how to resolve it: the key can be respawned by waiting in the hallway outside of the room. • The 3DS e-shop version of the first has a nasty bug where touching a Warp Squid would occasionally make the game crash and delete the player's save files. The good news is that it happens so rarely that most people won't encounter it. The bad news is that. • An entire page could be spent listing the various game-breaking bugs in; fortunately, this got better with patches and an eventual free re-release. • Characters in vehicles often grew to twice their normal sizes, causing half their bodies to stick through the roofs. One mission featured a vehicle that had to be driven. It might be larger than the hole that this vehicle must pass through, forcing the player to cheat past the level. • If you ran out of ammunition, you fell through the ground. • The freeware version/latest patch introduces a new bug; some maps on Hard difficulty allow each enemy to empty every bullet in their magazine in one frame. The result is instant destruction of the boat containing your whole team. Affected missions are still winnable if you can kill all the enemies before they can attack. • The version of was plagued with bugs. Most of them were merely agonizing, but there was one place where, in order to progress, you need to save the game during the between scenes. If you time it wrong, you lose the save file. • II: Too many items in your Hero Stash and it'll freeze upon taking out any. Keep it below 20. • sometimes had a glitch on the final stage where the cutscene would fail to activate, resulting in Max firing a couple shots at Nicole and the game freezing. • Alternatively, Nicole could snag the wall next to the gate leading to the helicopter and stop. Max would then catch up and unload hundreds of bullets into the back of her head until you reloaded. • Final Zone II, at least on some copies, had a problem where a would sometimes start after the intro cutscene and continue throughout the game. This may have been due to a defect in the CD. • The Cursed Crusade, at least on the Xbox 360, will corrupt your save if it crashes during a chapter load, preventing it from loading anything beyond the crash point. • In, there is a sequence where you must drive a car from a building near Central Park all the way through some of the nearby streets in order to escape a gigantic fissure wreaking havoc on the city. However, during the very last part of the ride, a very nasty bug will sometimes prevent the map from correctly loading during the last jump, making you fall to your death and forcing you to repeat the whole driving sequence. •: It is possible for dogs to somehow walk through a wall and get stuck in the void outside the level. There's no way to kill them when they're trapped like this, so if the stuck dog is the last enemy alive, you cannot clear the level and there's no way to get killed (which is necessary to restart a level) either. You have to begin the entire chapter anew. • In on the King's Quest Collection XP version 1.40, there is a game breaking glitch that can occur in chapter 3 if you have Valanice examine the cheese in the fountain in the town of Falderal. What will happen is, the wooden nickel that's supposed to highlight at the Mockturtle store owner won't highlight and you're forced to start chapter 3 over. This can also happen with Rosella in Malicia's house; if you take too long and try to go out the back way, you're stuck with Malicia zapping you every time, and you're forced to start chapter 4 over. • In 2: Dagger of Amon Ra, there is an 'error 5 glitch' that can crash your game if you open the transom over the door and go into the mummy room in Act 5 while Mr. X is chasing you. Luckily, you can bypass the error by just clicking on the transom window once. But remember to have an extra backup save, or else your current save will keep crashing you out of the game. • In, the rewards for beating dungeons are items which can be used to clear certain blockades or obstacles in certain screens. However, these items disappear after being used, and if you leave the screen from the left side (probably to refill on health since the level layouts often sport monsters camping near ladders, from where you can't attack) the blockade will reappear, but the items won't respawn anymore even after beating the dungeons again, making the game unwinnable. • 2: The Beast Within features a crippling bug at the end of Chapter 4 that prevents the player from progressing to the next chapter. • The original: Shadows of Darkness was originally rushed out, bugs and all. Most of them were fixed in one way or another, but by the time the dust had settled, a few remained: • The most infamous is the bane of gamers everywhere, Error 52. Midway through the game, thanks to issues in dealing with faster computers, one crucial area in the swamp becomes impossible to leave without crashing the game. QFG message boards then-and-forever had a new favorite topic. • This is also one of the few Sierra games that has a bug that occurs at the end of the game. When fighting Ad Avis, the hero has a staff that turns into a spear; this spear sometimes turns into the now dead Ad Avis about halfway back to the player character, who then kills our hero with a spell shot from a different area of the screen. This bug appears to occur randomly. • A variation of this glitch also occurs due to a bug in the game's timing. For some computers, the timer in the scene that determines how much time left the player has before Ad Avis will kill them will continue to keep running even if the player is speaking to Ad Avis or checking their inventory otherwise (which normally should paused the game until either the dialogue box is closed or the inventory is closed otherwise). Depending on what the player is specifically doing at the time, either it will cause Ad Avis to quickly kill the player instantly, even if it interrupts a current action the player is doing at the time (such as while turning Erana's Staff into a spear) or, if killed, instantly revive himself just to kill the player, causing the game to assume as if the player was killed by Ad Avis in the first place. The glitch (both variants) can be seen in its entirety. • Yet another QFG IV bug is the disappearance of the Domovoi after Day 5. • While the CD version fixes most of the bugs, it also introduces one particularly glaring one: as a wizard, after the final battle (won by using a certain spell on Ad Avis), using the Summon Staff spell to complete the game will actually render it unwinnable, as the game won't allow you to use the staff properly, and then time will run out, the Dark One will be summoned, and it's game over. The only way to get past this bug (which happens every time) is to cast the certain spell again, then summon the staff. But what most walkthroughs don't tell you is that if you cast the spell at certain specific places, the game will consider those casts as 'misses' in the final battle, resummon Ad Avis, and have him kill you instantly. And those specific places cover more than half the screen. • doesn't have quite as many, but a few irritants still show up. • The most memorable: As a Wizard, using your last Dispel Potion in the Lost City freezes the game. The only way to bypass that point is to fight the monster that the Dispel Potion is meant to take care of for you, which for a Wizard is often lethal (it's a tough fight even for a Fighter.) And not being able to use the potion screws you out of points, which makes 100% completion impossible. • In the same line as Error 52, there's Error 4 that crashes your game during the Simbani initiation. • has a bug that only shows up on slower computers, thanks to the odd way in which the game calculates time for various characters. Rosella and all the other characters move slowly because the computer isn't fast enough to draw everything at full speed. The game is still playable, just slow. The one exception is the ogre, which uses a more real-time timing method — he travels across the screen in a certain number of seconds no matter how slow the computer is. In one plot point, Rosella is in the ogre's house and must reach the door before he catches her, only possible on PCs which run the game at the intended speed. The only way around this is to take the saved game file to a faster computer and play that scene there. • Playing 2 on a computer that is too fast results in an '888.pal not found' error at a certain point in the game. This can be fixed by using a slowdown utility. • A devious glitch with the in 2: Looking For Love (In Several Wrong Places) snuck into the game just the night before the game shipped: Near the end of the game, the player is expected to combine an airsick bag with a bottle (to make a Molotov cocktail, the bag serving as its wick). The only acceptable input is some variation of 'put airsick bag in bottle', because a) the parser is (badly) written specifically to understand fully formed English phrases instead of 'adventure game shorthand', b) a completely unrelated bug had just been fixed by another coder by turning the word 'bag' into a verb and c) no one cared to fix it in time, because Sierra's testing policy at the time was to use the longest possible phrase in a situation and see if it worked. Contrary to popular belief, the input does not require the word 'the' several times; the point is that 'airsick bag' works, whereas the common shorthand 'bag' doesn't (since it's a verb). • 3: Passionate Patti in Pursuit of the Pulsating Pectorals is notorious for its speed bug. The faster the CPU cycle, the longer you have to endure some sequences. • Exercising on the machines. Originally, you only need to do 20 of each. With the speed bug, you'll be doing this forever with no resolve. • Waiting for the damn elevator to get to the penthouse. It will never come. • Graphic adventure 2 has a strange bug where a certain character and the object you need to give them are on the same screen, and you can sccessfully use the SCUMM-style interface to 'Give to ' despite not being in your inventory. This skips a large chunk of game and messes up many dependencies. • In, one of the tasks on Blood Island requires you to pull some loose hair off a dog with your hand so it will bite you. If you try to cut it off with the scissors you get the Blue Screen Of Death. • In copies of the game that don't have this bug, Guybrush just mistakes your intention and chastises you for suggesting he harm an innocent dog. • has a nasty bug in the PC version of the game. At one point you're in a sushi restaurant, and you have to stick a fork in a track on a table to stop a sushi boat moving. This is intended to cause the chef to come out of the kitchen and if you are quick, you are able to grab something from the kitchen. In the PS2 version, this is fine. In the PC version, however, you can hear the chef say his dialogue before you've actually done this task, and far worse, when you've done it there is nowhere near enough time to go into the kitchen and get what you need before you get thrown out. The game was originally designed for Windows 98/2000/ME with certain graphics cards, anything more powerful will run the game but likely cause issues. • Talking to Otis on Jambalaya Island has no negative effects the first time you do it, but talking to him again at any other point in the level will crash the game. • The PS2 version has a nasty (and seemly random glitch) that causes Guybrush to be permanently rooted to the spot and nothing seems to get him moving again. • The original 8-bit text adventure of is terminally bugged in early releases - among many weird glitches, Gollum will ask you riddles, but pay no attention to the answers, making it impossible to get the ring. • has an elevator which the player needs to stop at a certain point. However, if you had az computer with a fast CPU, the elevator would move too fast to be stopped, and the player won't even realize stopping it is possible. This was luckily fixed with a patch. • In Saves the Zoo, there is one point where you have to ride a log raft to the other side of the river. The 1999 version introduced a bug where, when you make it to the other side, if you simply click on the space where PuttPutt gets off instead of going somewhere else, he starts talking. Skip it, and the raft disappears and never comes back. You don't have anywhere to go either, so your only choice is to reset the game. • The original got ported to many, many systems. Somewhere along the way, one version picked up a couple of bugs, and then the bugged version got ported further by people who didn't check that the version they were copying could be completed. Several of them are potential game-breakers, but the simplest example is one of the many treasures you need to collect and store in order to unlock the endgame. The treasure is just lying in a remote chamber, and all you have to do is pick it up. In the bugged versions, typing 'get spices' gives the response 'You can't be serious!' No spices means no endgame. Listen to songs from the album Our Version of Events (Deluxe Edition), including 'Heaven', 'My Kind of Love'. Our Version of Events (Deluxe Edition) Emeli Sand. Take Me Home is the second studio album by British-Irish group One Direction, released on 9 November 2012 by Syco Music and Columbia Records. As a follow-up to One. Release date Artist Album Genre Label Producer Ref. April 2: Apparatjik: Square Peg in a Round Hole: Experimental, alternative, electronic rock: Meta Merge Un. In 2012, Brit's Critic Choice Award, a best new artist prize for the United Kingdom's best talent, unsurprisingly went to, a woman being lauded for her crystalline voice and her immaculate songwriting skills. By the time her debut album,, hit shelves, had already been a number one-selling singer and songwriter, and had her work covered by names such as,, and. Many call the 24-year old starlet a jack-of-all-trades, and after listening to her first full-length debut, it's easy to understand why. Events skip from genre to genre breezily, often being carried by 's piercing voice. ![]() Sonically, the album sounds like a whisked-blend of,, and -- but, somehow, still establishes her own style between the airy coos, sultry piano melodies, and sprinkling of xylophones, synths, and bells. 's strongest tracks are such a mixed-bag -- the -spinoff 'Read All About It (Part III)' is a raw interpretation of the massive pop single, 'Lifetime' is a midtempo love song that's as engaging as a close listen as it is late at night, and the electrifying first single 'Heaven' has all the makings of a vibrant dance record slicked up for the floor. A true feature of this album is the sheer quality of the compositions, which, for lack of a better term, are unexpectedly sophisticated and nuanced for a mainstream record. What holds the album back in parts is the fact that its tempo is too slow at times, however, makes up for it with passion and precision. Is an earnest collection of works by a woman who is as good a composer as she is vocalist, a lethal combination in today's pop music business. In this case, the Critic's Choice Award was well deserved. • ' Released: 28 September 2012 • ' Released: 12 November 2012 • ' Released: 7 January 2013 Take Me Home is the second studio album by British-Irish group, released on 9 November 2012 by and. As a follow-up to One Direction's internationally successful debut album (2011), Take Me Home was written in groups and has an average of just under five songwriters per track. Largely recorded and composed in Sweden during 2012,, and, who composed One Direction's hits, ' and ', spent six months in developing songs for the album, and were able to shape around the members' tones. The album's songs are characterised by, vocal harmonies, hand claps, prominent electric guitar riffs, bright synthesizers, a sound and message, and rotations of. The members' voices are presented individually on the record, and its lyricism speaks of falling in love,, the insistence that flaws are what make a person unique, commitment, jealousy, and longing for past significant others. Take Me Home garnered mostly positive reviews from. There was praise for its quality of production, while criticism hinged on its generic, rushed nature. Globally, the album topped the charts in more than 35 countries, and was the fourth best-selling album of 2012, selling 4.4 million units. The album's number-one debut on the US chart made One Direction the first group to bow atop the Billboard 200 with their first two albums since American girl group entered with in 2008 and their in 2006. One Direction also became the second act in 2012 to achieve two number-one albums within a 12-month period, and the first boy band in US chart history to land two number-one albums in a calendar year. Their debut album and Take Me Home were the third and fifth best-selling albums of 2012 in the United States, respectively, making the band the first act to place two albums in the year-end top five in the era. The album's lead single, ', released on 28 September 2012, peaked inside the top ten in almost every country it charted in and recorded the highest one-week opening sales figure for a song by a non-US artist. The subsequent singles, ' and ', were less successful, although the former topped the. To support the release, One Direction performed the album's songs on several televised programmes and during their worldwide (2013). One Direction greet Swedish fans in,, May 2012, as the recording commenced at Kinglet Studios. In 2012, One Direction revealed that a follow-up release to their debut album, (2011), was in development. 'In the summer, we're going to get back and start a new record. We want to bring out a record nearly every year, every year and a half,' said, revealing they were arranging 'meetings and stuff with different writers and producers.' In March 2012, frontman confirmed that he would be writing a song for the album. In February 2012, One Direction expressed interest in working with, and in June 2012, Sheeran confirmed that they were in contact: 'I'm going into the studio in August to produce the tracks for them. I won't feature on the tracks though'. In April 2012, reported that, the group's manager, had challenged prominent songwriters to compete for space on One Direction's second album., responsible for repertoire at, a music publisher, in Scandinavia, said: 'Breaking a boy band in the U.S. Is about as big as it gets in the music industry, so you can imagine the competition to get cuts on the next One Direction album is immense'. In addition, the article reported that was working on candidates with and. By August 2012, it was confirmed that album would feature work from veterans such as,,,, and. Take Me Home was written in groups and has an average of just under five songwriters per track. 'The Swedish-style songwriting: melody first' was predominantly utilised, according to correspondent Douglas Wolk., Yacoub, and Falk, who composed One Direction's hits, ' and ', spent six months in,, developing songs for the album, and were able to shape melodies around their tones. Kotecha reflected: 'We’ll spend days, sometimes weeks, challenging the melody. The goal is to make it sound like anyone can do this, but it's actually very difficult'. In addition, after viewing the international success of 'What Makes You Beautiful', the trio conceptualised songs 'that kids could play on guitar and cover on YouTube.' After extensive promotional appearances in support of their debut album, One Direction began recording the album in May 2012, in Stockholm, Sweden, at Kinglet Studios. In June 2012, the group continued recording the album in the United States, while touring on the final leg of their. Horan, in a June interview with, disclosed that the group were intending to spend their time in July and August 'getting the album done.' Besides sessions in Kinglet Studios, recording sessions and mixing for the album took place at Chalice Studios in Los Angeles, MixStar Studios in Virginia Beach, Wendy House Productions in London, and Sticky Studios in Surrey, England. Packaging [ ] The album cover artwork, revealed on 30 August 2012, features the group surrounding a traditional British K2, a familiar sight on the streets of the UK. Music and lyrics [ ]. The opening guitar riff of ' was compared by some critics to that of 's ( pictured) 1982 single, '. The album's songs are characterised by -inherited, vocal harmonies, hand claps, prominent electric guitar riffs, bright synthesizers, for, a sound and message, the pitch-correcting software, and rotations of lead vocals. Jon Caramanica, writing in, considered the album 'far more mechanical' than their debut album, although noted that it is sonically and lyrically similar. San Lansky, an editor for, described it as '’80s-inflected and intermittently rock-dappled,' and as more indebted to the 'sanitized crunch of McFly' than to., a music journalist, interpreted its signature sound as a 'peppy, synth-bolstered take on early-80s pop, heavy on clipped rhythms and chugging guitars,' which, he said, is at least an improvement on the substitute 'that was once the grim lot of the boyband.' The opening of ' has been noted as similar to that of 's 1982 single, ', by some critics. According to Petridis, the guitar is played thrice between the riff with the plectrum stroking the strings, while it is pressed. One note in the chord is changed, which Petridis surmised was probably to avoid paying any royalty to the Clash. ' has a clapping, mid- that has been likened to that ', a 1977 single. The group's voices are presented individually on the record. Savan Kotecha noted that the ' late-’90s hits inspired the way he formulated One Direction's voices for the album. Composer Julian Bunetta, who worked on three of Take Me Home 's tracks, also tried to place emphasis on the sound of each member: 'The fans can tell the difference, but we wanted to make sure that when it came on the radio, the average person knew that it must be One Direction, because it’s five guys.' Likewise, Caramanica noted that the album's songs produced by Bunetta 'tend to start out with more breathing room, giving the guys a chance to show off vocally'. The album's lyricism speaks of falling in love,, the insistence that flaws are what make a person unique, and commitment, in songs such as ',' 'Last First Kiss,' 'Back For You,' and 'They Don't Know About Us.' Other tracks, like 'Heart Attack,' 'Rock Me,' 'I Would,' and 'Over Again,' have a more solemn tone, addressing jealousy and longing for past significant others. Promotion [ ]. One Direction performing in Glasgow during the album's, February 2013 Take Me Home has yielded three singles, including two US singles. Its lead single, ', was released by Syco Records on 28 September 2012. The song rocketed to worldwide success, peaking at number one in Ireland and New Zealand and the top ten in almost every country it charted in. In the United States, 'Live While We're Young' debuted at number three on the chart, sold 341,000 downloads in its first week, and bowed at number one on the chart. Its debut marks the highest bow by a British group and the second-highest debut among all UK acts, outpaced only by 's number one arrival with '. Its opening sales denote the biggest opening sales figure for a single by a non-US artist and the third ever for a download by a group, surpassed by the arrivals of 's 2012 single, ' (493,000), and ' 2009 single, ' (465,000). ' was released in the UK and Ireland on 12 November 2012, as the second single. The track debuted at number one on the of 18 November 2012, becoming One Direction's fifth top ten appearance and second number-one hit in the United Kingdom. ', chosen as the second and final US single third and final overall single of Take Me Home, was released on 17 November 2012, according to MTV News. The group and the album's lead single were featured in a television commercial for the United States, which premiered on the network on 10 October 2012. Allowed the record to stream in full on in the week leading up to its 13 November 2012 release. In addition, One Direction promoted the album in a series of live appearances from October toward December, notably on television programmes,,, which drew a record crowd of 15.000 people to the, and the 's telethon. Additional live appearances include at the, in the presence of, the, and a headlining sold-out show at New York City's. The album's accompanying concert tour, the, commenced at London's on 23 February 2013. The concert tour consists of over 100 shows in Australasia, Europe, and North America, and is set to visit arenas and stadiums from February through October 2013. Announced by member at the in early 2012, the original concert tour was billed as the UK & Ireland Arena Tour. In mid-2012, the concert tour expanded with legs in North America and following the band's international breakthrough. In the UK and Ireland, ticket sales reached 300,000 within a day of release, which included a six-date sell out at the O2 Arena in London. In Australian and New Zealand markets, tickets grossed US$15.7 million, with all 190,000 tickets being sold for eighteen shows to be held in Australia and New Zealand. Critical reception [ ] Professional ratings Aggregate scores Source Rating 68/100 Review scores Source Rating 80/100 C favourable The album received generally positive reviews from contemporary. At, which assigns a rating out of 100 to reviews from mainstream critics, the album received an score of 68, based on ten reviews. Despite its 'boardroom-defined objectives' and 'safety', Al Fox, writing for, considered the music itself 'notable quality' and reliable. Matt Collar from described it as an 'immediately catchy mix of dancey pop that maximizes the group's shared lead-vocal approach and peppy, upbeat image.' Kate Wills from praised the uptempo material while defining the ballads as jarring, a notion shared by John Dolan of Rolling Stone. Although he dubbed it 'actually pretty great – certainly better than it needs to be,' Sam Lansky for Idolator thought the album is predictably generic, and interpreted it as 'a little cynical, even as it excels in making some of the purest pop of the year.' Writer Adam Markovitz panned the record as an empty gesture and asserted that the album was rushed, signifying an album with 'barely enough zip to keep the kids up past dinner.' Likewise, Robert Copsey from wrote, 'The result [of Take Me Home] may see them progressing at a snail's pace, but when you've got it so good, what's the rush anyway?' In a mixed review, The New York Times contributor Jon Caramanica appreciated the album's sonic palette, but dismissed its lyricism as narrow and tedious, and Sheeran's contributions as 'unusually lumpy in the hands of such a polished group'. Caramanica characterised the members' vocals as 'fundamentally interchangeable', and opined that only 'breaks free from the pack vocally with any regularity.' While he commended the album for its 'variable quality', Alexis Petridis for felt the record would not be able to transcend its target market, a core audience aged approximately 8 to 12 and female: 'To anyone else, the mystery of One Direction's success – or at least the sheer scale of it – remains as opaque as ever.' The latter view was shared by of the: 'Unless you’re in the target demographic or are, perhaps, a mom who lived through the same thing in her youth, there's no point in even going near this record, of course, but the rest of us were never meant to in the first place.' Writing for, Melinda Newman maintained that the album 'masterfully hits its target', and concluded as follows: 'I’m so far out of the One Dimension demographic, I practically need a to find it.' Commercial performance [ ] Globally, Take Me Home topped the charts in more than 35 countries, and was the fourth best-selling album of 2012, selling 4.4 million units. In the United Kingdom, the album sold over 94,000 copies in its first two days of sale. It debuted atop the with first-week sales of 155,000 copies, becoming their first album to top the chart and the second fastest selling album of 2012. The album and its second single, ', both debuted simultaneously at number one in the UK on 18 November 2012, making One Direction the youngest act in British chart history to achieve the feat. The album became the fifth best-selling album of 2012 in the UK, having sold 616,000 copies by the end of 2012. It was certified double platinum by the (BPI) on 15 February 2013, denoting shipments of 600,000 copies. As of November 2014, the album has sold 960,255 copies in the UK. In Ireland, Take Me Home became the fastest-selling album of 2012, lodged six consecutive weeks atop the, and was certified triple platinum by the (IRMA). In Italy, the collection became their second Italian chart-topper, and Italy's seventh best-selling album of 2012. It has been certified double platinum by the (FIMI), indicating sales of 60,000 copies. In the Netherlands, the album debuted at number-one on 17 November 2012, and shipped 25,000 copies in its first day of release. It was certified platinum by 18 December 2012, denoting shipments of 50,000 copies in the region. After a month of its release, it was certified platinum in Poland for shipments of 30,000 copies, while it became the seventh best-selling album of 2012 in Denmark, having sold 28,875 copies by year end in that country. In Sweden, the album was the ninth best-selling album of 2012, and has been certified platinum by the (GLF), signifying shipments of 40,000 units. The album debuted at number one on the Australian dated 25 November 2012, a position it held for a second week. It was certified platinum in Australia in its first week by the (ARIA) and has since been certified double platinum for a shipment of 140,000 copies. The record became the band's second number-one album in the United States in the week of 18 November 2012, and recorded the biggest first-week sales tally for an album by a boy band since 's (2001), and the third-largest debut sales week of 2012, behind 's and by, with 540,000 copies sold. One Direction became the first group to bow atop the with their first two albums since American girl group entered with in 2008 and their in 2006, the second act in 2012 to achieve two number-one albums within a 12-month period alongside, and the first boy band in US chart history to land two number-one albums in a calendar year. The album was certified platinum by the (RIAA) on 5 December 2012, denoting shipments of one million copies. It became their second album in 2012 to top the one million mark in US sales in the week of 16 December 2012, making them the first act to achieve the feat in a calendar year since 2009, and the first group or duo to achieve the feat since in 2007. Their debut album and Take Me Home were the third and fifth best-selling albums of 2012 in the United States, respectively, making the band the first act to place two albums in the year-end top five in the era. On 29 March 2015, it surpassed the 2 million thresold becoming their second album (after Up All Night) to sell over 2 million copies in the U.S. As of August 2015, the album has sold 2,020,000 copies in the U.S. Worldwide, according to, the album has sold over 5 million copies. Track listing [ ] No. Title Writer(s) Producer(s) Length 1. • Karl Brazil – drums • David Bukovinszky – cello • Julian Bunetta – engineer, musician, producer, vocal producer • Mattias Bylund – editing, string arrangements, string engineer • Cirkut – musician, producer, programming • Rupert Coulson – engineer • Tom Coyne – mastering • Tommy Culm – background vocals • Dr. Oct 21, 2017. Sabulous coquimbite will be shaving way withe yaeko. Groschens will have pasted before the unsavoury holdfast. 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OVERALL SUITE FEATURES: • Includes both Android smartphone & tablet versions in one download. • View, edit, and create MS Office files (2007-2016). • View PDF files. • Save changes directly to your device, memory card, multiple cloud services, or to your Windows computer with our desktop/laptop application. • Send & receive supported email attachments using Gmail or your favorite email app. • File sorting manager (sort your file list by Name, Modified, Size, etc.). • Localized in English, French, Italian, German, Spanish, Portuguese, Brazilian Portuguese, Japanese, Turkish, Russian, Polish, Czech, Arabic, and traditional & simplified Chinese. I should have listened to the other reviews. I was able to open and read my excel files just fine. I just couldn't edit them. So, I just paid the $14.99 for the premium key so I can be able to edit my files and now all I get is, 'This file is read-only due to the following non-supported content.' Then it lists a bunch of cells in my spreadsheet that it's referring to. WTF is up with that? If I can't use this app the way I'm supposed to be able to then I'm gonna need a refund of my money immediately. I should have listened to the other reviews. I was able to open and read my excel files just fine. I just couldn't edit them. So, I just paid the $14.99 for the premium key so I can be able to edit my files and now all I get is, 'This file is read-only due to the following non-supported content.' Then it lists a bunch of cells in my spreadsheet that it's referring to. WTF is up with that? If I can't use this app the way I'm supposed to be able to then I'm gonna need a refund of my money immediately. Pdf writer and needs a lot if fixes it would be nice to have a pdf writer instead of pdf reader? Your formulas are not complete in excel plus it does not recognize certain mathematics from other pages when editing. Does not recognize office 2016 formats. 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The latest version came as something of a shock. Where had the cluttered interface gone too, where the overloaded screens? Thankfully these have been swept away and a cleaner, more user friendly design has been introduced. I am now using Docs to Go on a Lenovo Android Thinkpad, which came with its own free office suite. I tried it for a while but found compatibility issues with Word docx files and then came to my senses and realised Docs To Go was the only office suite worth using. I am more than happy to be using Docs To Go again. DID NOT SAVE MY CHANGES Just worked on a document with this app. Went to save the document to my Google Drive. The document did NOT save to my drive. The application opened a dialog box giving me the option to send the document in email form, warning me the changes may not save to drive. So i chose yes, i wanted to email it to myself. THEN THE APPLICATION CLOSED. Completely wasted more than an hour working on this GROUP project that is due this evening. I DO NOT recommend using this application. It is not consistent. 3.5 stars I never thought I'd say this, but there was just too much sex in this book. If we could have cut out some of the 12 page love scenes, we wouldn't have lost anything in the story and I might have enjoyed it a bit more. At one point, I was hoping the couple would get married soon so they'd quit having sex all the time like most married couples. I absolutely LOVED that Simon told Portia he loved her without her having to ask or guess or cajole him into saying. He just spit it right out and 3.5 stars I never thought I'd say this, but there was just too much sex in this book. If we could have cut out some of the 12 page love scenes, we wouldn't have lost anything in the story and I might have enjoyed it a bit more. At one point, I was hoping the couple would get married soon so they'd quit having sex all the time like most married couples. I absolutely LOVED that Simon told Portia he loved her without her having to ask or guess or cajole him into saying. He just spit it right out and he said it first:) That was so unlike most Cynster men that I actually read the scene twice LOL I also loved that Portia wasn't a doormat. Most of the women in the series aren't. Let's face it, they couldn't be and be with a Cynster man, but not only was Portia strong, she was smart too. ![]() All in all, another enjoyable addition to this great series:). This was a good read. Simon Cynster, last single male Cynster of his generation decides to get married. Somehow, he sets his sight on Portia Ashford, the no- nonsense lady- who is also in search for a husband. As they have their first kiss and start to fall for one another- there is a killing and most of the story focuses either on introducing the characters, or the murder itself. This was I think the second least favorite of the series for me(after the prequel). El-perfecto-amante-by-yoselin-mendiola.pdf - El Perfecto Amante By Yoselin Mendiola Chapter 3: El Perfecto Amante This article has been written with the intention of. Though it had potential- I felt bot This was a good read. Simon Cynster, last single male Cynster of his generation decides to get married. Somehow, he sets his sight on Portia Ashford, the no- nonsense lady- who is also in search for a husband. As they have their first kiss and start to fall for one another- there is a killing and most of the story focuses either on introducing the characters, or the murder itself. This was I think the second least favorite of the series for me(after the prequel). Though it had potential- I felt both the leads lacked the explosive chemistry that I usually adore in SL books. And even the heavy make out/ sex scenes seemed over shadowed by the whole mystery and other characters. Could have been much better. But I did adore a few scenes between them. Safe read 3/5. Really more like a 3.5 Stars, though it was kind of tough to decide. On one hand, the mystery in this one was pretty good, kept me guessing, and while a lot of characters were introduced at the house party, once I got them straightened out in my mind, I liked most of them, and have a feeling we may see them again (I'm thinking maybe James and Charlie). Once Inspector Stokes came on the scene, I really liked him too, and look forward to seeing him some more in the Barnaby books. I mostly liked Si Really more like a 3.5 Stars, though it was kind of tough to decide. On one hand, the mystery in this one was pretty good, kept me guessing, and while a lot of characters were introduced at the house party, once I got them straightened out in my mind, I liked most of them, and have a feeling we may see them again (I'm thinking maybe James and Charlie). Once Inspector Stokes came on the scene, I really liked him too, and look forward to seeing him some more in the Barnaby books. I mostly liked Simon and Portia too, neither one really overly aggravated me. So, that's the good. The other hand though, I got bored with the abundance of long sex/foreplay/kissing scenes. Like every other scene they were going at it again. I found myself skimming the love scenes again for the first time since like 5 books in this series ago. So that was a negative. I think the mystery balanced it out for me though for the most part. It wasn't too easy for me to figure out, and I liked how it played out. So, 3.5 Stars it is. I also really liked Lady Osbaldestone's role in this one! The old battle-axe had me giggling in a few places, and her cheekiness in pushing Simon and Portia together, telling em to quit wasting time, was a fun bit. For such a proper old society matriarch, she sure did show a naughty side in this book. I liked that. I'm most definitely looking forward to next month's read,, featuring Portia's sister Penelope and that Barnaby guy I've become so intrigued. And get to see some more Inspector Stokes too, that's also exciting:) *Edit to add, we will definitely see James again, as I just realized he is the hero of. So much for Miss Lucy Buckstead, eh? Review taken from my blog in September 2010: I've just finished this one this morning, in between packing Toodles off to school (not my turn for the school run today) and packing orders.and it might be heading to the top of the list of Stephanie Laurens titles read thus far - an easy read of Simon Cynster and Portia Ashford, friends/adversaries since childhood and their slow discovery of love that develops. More saucy scenes and a murder ~with Simon and Portia trapping the murderer at the en Review taken from my blog in September 2010: I've just finished this one this morning, in between packing Toodles off to school (not my turn for the school run today) and packing orders.and it might be heading to the top of the list of Stephanie Laurens titles read thus far - an easy read of Simon Cynster and Portia Ashford, friends/adversaries since childhood and their slow discovery of love that develops. More saucy scenes and a murder ~with Simon and Portia trapping the murderer at the end all ends happily ~ just what I would expect. I think this one is book 10 in the Cynster series, but as before you can read any of them as stand-alones. Actually though, pay attention they do weave together very nicely! Right, enough reading for now ~although I have selected another Cynster one, which is ready and waiting to go. Temptation and Surrender. Actually, whilst thinking about this there is one point I might have touched on before, but I feel the need to expand: I most assuredly DO NOT like the trashy drawn illustration covers that the books are currently being sold with. The one I have been reading (above) has a much nicer cove. I accept that perhaps the publisher wants to suggest at the saucy nature that lies within, but come on. A real photograph of people in the relevant historical period in a saucy pose would give their books the due homage they need. The trashy illustrated versions just remind me of cheapo books without much going on in them, and written by an entirely less worth author. I would be interested to hear other peoples opinions on this. I thought this was a lovely historical romance (not counting the murders and overlooking that I skimmed a couple of the longer sex scenes). I liked both Simon and Portia, even though they weren't the same characters as when I saw them last. They were now full-grown adults who had been living independent lives. I liked that they knew each other well but still had the opportunity to learn more about each other. On a personal note, the ebook I read was one for the Nook that had been part of a specia I thought this was a lovely historical romance (not counting the murders and overlooking that I skimmed a couple of the longer sex scenes). I liked both Simon and Portia, even though they weren't the same characters as when I saw them last. They were now full-grown adults who had been living independent lives. I liked that they knew each other well but still had the opportunity to learn more about each other. On a personal note, the ebook I read was one for the Nook that had been part of a special sale and contained bonus material (excerpts from several other Stephanie Laurens' books). The formatting was horrible. No indentations on the paragraphs, no space between them either, and the space between scene breaks came after the lead paragraph not before it. There were also several instances where a word at the end of a paragraph didn't fit on the line and was hyphenated, I had to change the font size to read it because the second part of it got lost somewhere in the Nook's memory in the size font I usually use. With my perfectionist/OCD tendencies, I found all these things together to be more than a bit frustrating. I had a nearly overwhelming urge to either find a way to edit it or get a different version. The 'romance' plot was very typical of Stephanie Laurens: a heroine willing to discover what can be the possible attractions of marriage, the discoveries taking place with someone she's known her whole life, the hero former-rake just decided to create a family realizing she's his perfect bride-to-be. Honestly this resembled very much the previous books but was nicely and quite convincingly written that I bought it, yet rolled my eyes at one or 2 scenes. However what was different and what I reall The 'romance' plot was very typical of Stephanie Laurens: a heroine willing to discover what can be the possible attractions of marriage, the discoveries taking place with someone she's known her whole life, the hero former-rake just decided to create a family realizing she's his perfect bride-to-be. Honestly this resembled very much the previous books but was nicely and quite convincingly written that I bought it, yet rolled my eyes at one or 2 scenes. However what was different and what I really liked in this book was the secondary characters and plot. It takes place during a house party, during which a young married lady behaves with no respect to convenances and is finally found murdered. I really liked how the atmosphere progressively deteriorates while Kitty's behaviour flirts with the inacceptable and the investigation afterwards aiming at identifying the mean culprit. While very predictable on the romance side and the too-classic way this unravels, it was nevertheless an enjoyable read. I would have enjoyed this book more had the author not decided to throw in a suspense-y subplot at the last possible moment. The story read almost as if she'd gotten halfway through the book and remembered 'oh right, I need a suspense bit.' It felt too contrived against the backdrop of what really is a lovely romance with a fiesty heroine who is not too stupid to live and an alpha male hero that doesn't antagonize the reader. Laurens does a great job of character- and conflict- building for the I would have enjoyed this book more had the author not decided to throw in a suspense-y subplot at the last possible moment. The story read almost as if she'd gotten halfway through the book and remembered 'oh right, I need a suspense bit.' It felt too contrived against the backdrop of what really is a lovely romance with a fiesty heroine who is not too stupid to live and an alpha male hero that doesn't antagonize the reader. Laurens does a great job of character- and conflict- building for the romance plot, but the story isn't strong enough to support an unwieldy murder mystery at the end. This story wasn't the usual 'Cynster romance'. It has a sweetness to it that made me smile throughout. I've read all the Cynster stories in order and absolutely love them. I've looked forward to reading about Simon and Portia ever since Amelia and Luc's love match. I knew when they fought as kids, I'd see them again and really enjoyed reading their love story. Lady O is by far the best of the Cynster series characters. She really showed up in this story. Ofcourse my favorite Cynster man is Devil This story wasn't the usual 'Cynster romance'. It has a sweetness to it that made me smile throughout. I've read all the Cynster stories in order and absolutely love them. I've looked forward to reading about Simon and Portia ever since Amelia and Luc's love match. I knew when they fought as kids, I'd see them again and really enjoyed reading their love story. Lady O is by far the best of the Cynster series characters. She really showed up in this story. Ofcourse my favorite Cynster man is Devil. Well the two star up there doesn't mean it was badly written or anything. Its just that, when I read a romance novel, I don't want a subplot taking up so much of the book that I hardly get to see the hero and heroine together. And whenever I did see them together, they were making love! I mean sure that steamy part is all good when I know my characters well. I want to know why the guy falls in love, why the girls accepts the guy. I just don't want to read how they satisfy each other's physical n Well the two star up there doesn't mean it was badly written or anything. Its just that, when I read a romance novel, I don't want a subplot taking up so much of the book that I hardly get to see the hero and heroine together. And whenever I did see them together, they were making love! I mean sure that steamy part is all good when I know my characters well. I want to know why the guy falls in love, why the girls accepts the guy. I just don't want to read how they satisfy each other's physical needs! Stephanie Laurens is a good author, but this one did not work for me. Simon Frederick Cynster, are o viata perfecta, o avere fabuloasa, un statut social impecabil, iar senzualitatea lui il face sa nu duca lipsa de partenere de o noapte. Dar cu toate ca viata sa amoroasa este plina, lui parca ii lipseste ceva-ii lipseste cineva care sa faca parte din viata lui. Realizeaza ca are nevoie de o femeie care sa fie o lady respectabila, sa apartina unei familii nobiliare bune, dar in acelasi timp sa fie si o amanta perfecta pentru Simon Frederick Cynster, are o viata perfecta, o avere fabuloasa, un statut social impecabil, iar senzualitatea lui il face sa nu duca lipsa de partenere de o noapte. Dar cu toate ca viata sa amoroasa este plina, lui parca ii lipseste ceva-ii lipseste cineva care sa faca parte din viata lui. Realizeaza ca are nevoie de o femeie care sa fie o lady respectabila, sa apartina unei familii nobiliare bune, dar in acelasi timp sa fie si o amanta perfecta pentru unul dintre cei mai ravniti si exigenti barbati ai inaltei sociatati. Isi propune ca are nevoie de o sotie, ca a venit timpul. Era ultimul barbat din familie necasatorit. Dar este obositor sa gasesti o astfel de femeie si atunci cautarile lui sunt destul de discrete. Cedeaza invitatiei prietenului sau James Glossup, de a participa si a-l ajuta pe acesta sa organizeze o petrecere la conacul de pe mosie. Plimbandu-se pe drumurile din preajma mosiei, pe cararile care duceau catre niste intarituri de pamant vechi, vede o silueta feminina. Este intrigat ca in singuratatea aceea apare o femeie, si urmareste cu interes silueta gratioasa si parul negru care flutura in vant. O prezenta care putea atrage atentia oricarui barbat. Dar o recunoaste imediat-este Portia Ashford, cumnata surorii sale Amelia. Probabil ca si ea venise la conac pentru petrecere. O cunostea pe Portia, drumurile lor se intersectase de cateva ori. Era o rebela, cu care se intepa in vorbe ori de cate ori se intalneau. O femeie care era parca un arici in prezenta lui, scotandu-si tepii ori de cate ori era nevoie. Si totusi in prezenta acestei femei, care nu se plia pe idealul lui de femeie, se trezea la viata, iar aceasta pofta vivace punea stapanire pe el. Doamne, ii trezea niste sentimente pe care nu le dorea. Isi spunea mereu: Nu ma intereseaza Portia! Femeia ideala 1Dar acum vazand-o cum sta abandonata in fata vantului si fiind singura, sistemul lui de protectie se activeaza si va trebui sa o intalneasca. Simte in interiorul lui ca trebuie sa aiba grija de ea. Stia care vor fi reactiile cand se vor intalni-limba ascutita ca un brici cu doua taisuri. Dar isi asuma acest fapt si iese in intampinarea ei. Portia era absorbita de propriile ganduri: “Ce anume ii facuse pe zei sa considere ca femeia are nevoie de un barbat pentru a procrea?“ Pe masura ce se gandea mai mult, se revolta. Ea nu-si dorise niciodata un sot, nici nu considera ca o casatorie aprobata de societate cu toate rigorile pe care le impunea aceasta i s-ar potrivi. Mereu isi vazu-se in alt fel viitorul. Muncise alaturi de surorile ei, ingrijind copii orfani si ceea ce isi dorea cu adevarat se contura in mintea ei. Vroia o familie si proprii ei copii, dar intr-o casatorie plina de iubire si neangradita de principii. Iar acum venise si pentru ea vremea de a avea un sot. Deoarece facea parte dintr-o familie buna, cu o dota considerabila, nu ar fi dus lipsa de vanatori, dar vroia pe cineva cu care sa se potriveasca. Era hotarata sa gaseasca pe cineva. “- Voi folosi orice prilej, care mi se va ivi la aceasta petrecere, pentru a invata tot ce se poate, si ma voi decide, o data pentru totdeauna! Indiferent cine-mi va iesi in cale, si va avea varsta si situatia potrivite, il voi lua in considerare!“ Facand acest fel de juramant vantului si ei insusi, nu a auzit pasii care se apropia. Femeia ideala 2“- Bine este destul de incurajator ce aud, dar pentru ce sa aiba varsta si situatia potrivite?“ Cunostea vocea asta, si intorcandu-se stia ai cui sunt umerii aceia largi, silueta masiva care blocase cararea. Ce naiba cauta el aici? Cu acei ochi albastii intensi o privea insistent. Calmul sau in prezenta acestui barbat se ducea pe apa Sambetei. Era mereu agresiva si aroganta in prezenta lui. Chiar daca nu recunostea acestea era un fel de scut pe care si-l crea in fata senzualitatii ispititoare ale lui Simon. Il cunostea bine, dar in aceasta singuratate a campului, el parea mai puternic si mai periculos ca niciodata. Dupa o portie de impunsaturi ca de fiecare data, se lasa totusi condusa catre conac. Simon afla in scurt timp cam ce isi propusese domnisoara in cauza, iar cand o vede flirtand cu majoritatea barbatilor eligibili, parca ceva inlauntrul lui se rascoala. Chiar daca isi spune mereu ca nu-l intereseaza Portia, adevarul era ca il interesa foarte tare. Este iritat de aceasta actiune a ei si o voce de dracusor ii sopteste ca trebuie sa-i puna bete in roate si sa o monopolizeze pentru el. Portia este constienta la un moment dat de trucurile lui Simon, nu se opune la inceput deoarece vrea sa vada cam pana unde duce atentia lui. Dar pe parcursul acestui joc ceva se intampla atat in ceea ce-l priveste pe Simon, cat si pe Portia. Fara sa isi dea seama, in subconstientul lui, Simon decide ca Portia este femeia cu care vrea sa se casatoreasca. Portia este constienta de atractia pe care o are pentru Simon si parca ceva se contureaza si in mintea ei. Sarutari furate, cabana din padure, tachinari, toate duc catre o atractie care le da peste cap tot idealul pe care si l-au impus in privinta partenerului. Scenele de dragoste sunt extrem de fierbinti si senzuale-Hot, hot, hot! Amandoi inca nu isi explica foarte clar sentimentele care incep sa se contureze, dar nici nu le ignora. In toata aceasta mare de pasiune iata ca o crima isi face aparitia. Intriga si actiunea intra in scena, cei doi ajungand sa participe in ancheta la descoperirea criminalului, dar in acelasi timp ajung si la un acord cu propriile sentimente. Criminalul nu se opreste la o singura crima si ataca si a doua oara, iar cel mai important lucru este faptul ca, Portia este cea vizata. Viata femeii pe care Simon descopera ca o iubeste este in pericol. Cineva ii doreste moartea. Va face orice ii sta in putinta sa-si salveze de la moarte marea dragoste, nu poate sa o piarda acum cand abia a gasit-o dupa lungi cautari. Cum se incheie relatia lor? Va reusi Simon sa o salveze pe Portia? Ce intamplari palpitante se vor mai petrece? Cine este criminalul si de ce doreste moartea Portiei? O carte in care pasiunea, emotiile, crima, se impletesc intr-o poveste destul de palpitanta si plina de senzualitate. Fata de celelalte carti pe care le-am citit scrise de autoare (ma refer la ceea ce a aparut la noi)-in aceasta carte este mai dezvoltata partea erotica. Pana acum Stephanie Laurens a fost destul de cumintica sa spunem asa, iar aici parca explodeaza dintr-o data in mrejele pasiunii inflacarate. Scenele sunt si destul de frecvente, nu sunt sporadice, si nu duc lipsa de imaginatie. Poate din cauza personajelor, care sunt conturate frumos, poate ca asa sunt barbatii Cynster(senzuali )-nu stiu, sau poate pur si simplu a vrut sa fie putin mai indrazneata. Oricum cam asta este diferit in aceasta carte fata de stilul cu care ne-a obisnuit. Iar asta trebuie sa spun ca face oarecum diferenta de celelalte. I didn't expect to like this book because it started out slow, and it was a little difficult to picture Simon all grown-up when I first read about him as a young lad in Devil's Bride. I'm also not that familiar with Portia's character, I only know her as Luc's younger sister (Luc being Amelia's husband in 'On A Wicked Dawn'), so that makes them related one way or another. There's the usual Cynster trait of being the protective and tyrannical male, but given the setting, which was a house party, t I didn't expect to like this book because it started out slow, and it was a little difficult to picture Simon all grown-up when I first read about him as a young lad in Devil's Bride. I'm also not that familiar with Portia's character, I only know her as Luc's younger sister (Luc being Amelia's husband in 'On A Wicked Dawn'), so that makes them related one way or another. There's the usual Cynster trait of being the protective and tyrannical male, but given the setting, which was a house party, they were all tucked away in the gentle countryside. It's a good thing the author listed the cast of characters before the Cynster family tree so as to give the reader an idea of the characters involved in the story - and there were quite a lot. I missed the previous Cynster cousins, the 'Bar Cynster' and of course the twins Amanda and Amelia. But since this is Simon and Portia's story, Stephanie Laurens gave them the stage. It was quite refreshing because all of the Cynster males (excluding this one) has the same dilemma and plot (they don't want to get married but couldn't escape fate so one by one they fell in love, produced children, and are content with their wives and their lives, but the woman needed to be in danger first before they admit their feelings). In here, there's also danger but not directed to Portia at first, her writing here in the second part reminded me of a mystery novel but since this is a love story with added murders, there were no clues that would lead the reader to the culprit. Sure it would make you wonder but you'll know in the end you'll still get the answer, and the most unlikely one too. I liked that they were both looking for partners in life, and not love, but still found both in each other. There's the classic Portia-needed-to-be-in-danger-before-they-finally-say-I-love-you-part, but it worked. I also liked that it was open ended, the last scene was very touching when they came to a mutual understanding. As usual, the author didn't disappoint with her love scenes, passionate, fierce, and very well-written; not too plenty, but just enough to spice up the story. They solved the murder and there's still 20% of the book left? I can't anymore. I'm still giving it 4 stars because I feel like if I hadn't just blown through 8 other Cynster books I wouldn't be so irritated with this one. BUT ALL THESE DAMN BOOKS ARE EXACTLY THE SAME. Seriously, the characters are almost identical story to story. The plot is nearly identical. I just can't anymore. How are there 20+ books in this series? How many different ways can this dead horse be beaten? How many They solved the murder and there's still 20% of the book left? I can't anymore. I'm still giving it 4 stars because I feel like if I hadn't just blown through 8 other Cynster books I wouldn't be so irritated with this one. BUT ALL THESE DAMN BOOKS ARE EXACTLY THE SAME. Seriously, the characters are almost identical story to story. The plot is nearly identical. I just can't anymore. How are there 20+ books in this series? How many different ways can this dead horse be beaten? How many frickin Cynsters are there?! Bah - I'm done. I am a sucker for a mansion murder mystery! My friends would get together and play those 8 player murder-mystery games when we were in intermediate/early high school which was our version of D&D role playing. So this book particularly sucked me into the story. Historical English romance tenth book in the Cynster series of novels with strong noble men looking for equally strong well-born ladies. Which isn't an easy thing to find when all ladies were raised to be pretty thoughtless ornaments. M I am a sucker for a mansion murder mystery! My friends would get together and play those 8 player murder-mystery games when we were in intermediate/early high school which was our version of D&D role playing. So this book particularly sucked me into the story. Historical English romance tenth book in the Cynster series of novels with strong noble men looking for equally strong well-born ladies. Which isn't an easy thing to find when all ladies were raised to be pretty thoughtless ornaments. Simon Frederick Cynster is on his way as back-up to one of his best-friends Jeremy who is in the midst of a country house party and needs protection from the marriage minded ladies (as well as avoiding his flirty sister-in-law who is married to his older brother Henry). There is a huge cast of people at the Glossup family house party which is more then a little confusing, even though the author is very clear in each introduction, but with a cast of more then twenty people this was tough to keep straight, but it becomes clea why there are so many people because they all become suspects when a murder is found by the poor Portia who is only trying to practice flirting and reflect on what she wants in a man and in marriage. Portia is well born and highly connected so she plays the society game without even thinking about it because it is like breathing. So she finds it more then awkward when someone doesn't know or follow the rules. So it is a good match with Simon who was raised similarly and knows Portia for more then a decade because his sister is married to Portia's older brother. Portia Ashford is more then an ornament, she has opinions and doesn't not what a crazy Tyrant marriage to a Cynster family, but maybe there is more to Simon then just his family. I did enjoy the murder mystery and there were hints but it was a surprise at the end of the story because there really were too many possible suspects with no alibi. 389 pages and bought used on Amazon 3.99$ 3 stars. 3.5 - better than the last one, but not as good as some of the original stories with the Bar Cynster. This plot at least involved intense adventure. It really did seem like a giant murder mystery party; like a fictional game of Clue with a romance. So, that was good. Definitely one of the better plots in the series. However, my problem was with the characters. At this point in the series there is absolutely nothing that distinguishes the males from each other. I could tell the difference, genera 3.5 - better than the last one, but not as good as some of the original stories with the Bar Cynster. This plot at least involved intense adventure. It really did seem like a giant murder mystery party; like a fictional game of Clue with a romance. So, that was good. Definitely one of the better plots in the series. However, my problem was with the characters. At this point in the series there is absolutely nothing that distinguishes the males from each other. I could tell the difference, generally, between the six original Cynsters: the Bar Cynsters. But now the men are all becoming a blurry cliche. The women still have individual qualities, but Portia was not my favourite. Definitely near the bottom in terms of personalities I like and relate to. She was just too logical for my liking. I did believe their chemistry together and I loved how what they felt between each other started years and years ago and they decide to let to develop and become real. I felt the connection. But I wasn't able to relate as much as I would have liked to them as individuals. I think this might be the end for me in terms of the series. It is becoming too repetitive with repeating character types and plot threads. Favourite stories have definitely been Devil's, Demon's and Gabriel's. Favourite heroines have been Francesca, Honoria and Alathea. I have loved the family connectedness and loyalty; definitely one of if not THE highlight of the series. For what it is (intense romance, very predictable, fleeting entertainment) this series has been most enjoyable - probably 3.75 overall in terms of books #1-#10, but its time for me to call a halt to it as I don't see things getting better and now all the male cousins are married. But I have definitely enjoyed the reading. Review by Bri: a book I thoroughly enjoyed. Having read all the previous Cynster novels by Mrs. Laurens, this one didn’t let me down in the least. While the overall formula of rake must fight his own fears of love and convince the girl to marry him was there, the characters made it decisively different. Portia Ashford and Simon Cynster, the last available Cynster, have been friends since birth. Both intelligent, prideful and stubborn they have played the games of dueling tongues for a decade. Wh Review by Bri: a book I thoroughly enjoyed. Having read all the previous Cynster novels by Mrs. Laurens, this one didn’t let me down in the least. While the overall formula of rake must fight his own fears of love and convince the girl to marry him was there, the characters made it decisively different. Portia Ashford and Simon Cynster, the last available Cynster, have been friends since birth. Both intelligent, prideful and stubborn they have played the games of dueling tongues for a decade. While Simon has a reputation for being, a rake and Portia a woman against marriage, choosing to spend her time on personal endeavors instead of trolling the ton that is until work in an orphanage helps her see the desire of family. Attending Lady O, a character I always loved, a saucy, wise, revered woman of the ton, Portia decides to test her husband assessing abilities at a country party. Simon a family friends just happens to be attending at the same time. As sparks fly, and Simon always the protector, assumes his role only motivated in a different way murder and fear threaten Portia before either can decide what they feel. Portia was different in this one in that she is extremely independent and intelligent to a fault. Over analyzing everything. Simon on the other hand isn’t the domineering conqueror of his previous Cynster sires. Oh the instinct is the there, but having been surrounded strong females Simon’s character rightly evolves with those influences and patiently waits for Portia to figure it out. A must read, enjoyed it greatly. The last time that I read a Stephanie Laurens' book I swore, 'Never again.' But, silly me, the lure of a 99¢ Kindle book and fairly good reviews caused me to fall off the wagon. This is a perfectly ordinary old-friends-fall-in-love tale, told at a large house party (which I usually like), with a murder mystery thrown in for fun. Simon agrees to school Portia in the ways of love -- in the name of protecting her from rogues -- so there's lots of (what Dear Abby used to call) heavy petting, progres The last time that I read a Stephanie Laurens' book I swore, 'Never again.' But, silly me, the lure of a 99¢ Kindle book and fairly good reviews caused me to fall off the wagon. This is a perfectly ordinary old-friends-fall-in-love tale, told at a large house party (which I usually like), with a murder mystery thrown in for fun. Simon agrees to school Portia in the ways of love -- in the name of protecting her from rogues -- so there's lots of (what Dear Abby used to call) heavy petting, progressing into lots of heavy sex. But, good grief! These myriad love scenes go on and on and on, and I had to resort to just skimming through them to find out who the murderer was, even though it was rather obvious. [Just look for the most unpleasant man in the goup. ] Stephanie Laurens does not believe in using one word when seven or eight will do. Most distracting, though, she eschews the use of subjects in her sentences. Just skips them, leaves them out, annoys the reader, sometimes confuses the reader. Tops it off with a sentence fragment. I thoroughly enjoyed the first Cynster novel,. Every one since then was just dreadful. Now I really, really mean it: no more Stephanie Laurens. This is one of my favorites in the Cynster series. Portia is an unmarried woman who, by the standards of the time, should be considered 'on the shelf.' Her brother is an earl and their family is closely entwined with the Cynsters, her brother and cousin being married to two of them. Her life has been plagued by Simon Cynster who seems to always be hovering over her, telling her that he just wants her to be safe, but she's not so sure. Portia has recently decided that she wants children. In order This is one of my favorites in the Cynster series. Portia is an unmarried woman who, by the standards of the time, should be considered 'on the shelf.' Her brother is an earl and their family is closely entwined with the Cynsters, her brother and cousin being married to two of them. Her life has been plagued by Simon Cynster who seems to always be hovering over her, telling her that he just wants her to be safe, but she's not so sure. Portia has recently decided that she wants children. In order to that, she must get married. To that end, she's decided to start considering men, beginning with the ones at the house party she's attending. Of course, the first man she sees is Simon. When he notices that she is looking at him differently, he starts to see her in a whole new light as well. Unfortunately, even as their love is burgeoning, there are other things going on at the house party. The nominal hostess, Kitty, is flirting with every man there, even though she is married. The every man includes Simon, her sister's boyfriend and even her husband's brother. Her erratic behavior is noticed by everyone there. When Portia finds Kitty dead in the library, almost everyone becomes a suspect. Overall, rather disappointing. This is one of those books I'm glad to be finished with. I rushed through it because I felt it deserved more than a DNF. Much like the previous book in this series, I felt it had way too much analysis of the sex between the h/h. There wasn't even a storyline until the last half of the book when a murder occurs. It takes place at a country house party. Simon Cynster decides he needs to marry and sets his sites on Portia whom he has known well for 10 years. They alwa Overall, rather disappointing. This is one of those books I'm glad to be finished with. I rushed through it because I felt it deserved more than a DNF. Much like the previous book in this series, I felt it had way too much analysis of the sex between the h/h. There wasn't even a storyline until the last half of the book when a murder occurs. It takes place at a country house party. Simon Cynster decides he needs to marry and sets his sites on Portia whom he has known well for 10 years. They always seemed to get on each other's nerves. She decides she wants a family and is out to explore the possible emotions behind marriage. So for her it is an experiment. He goes along knowing he wants to convince her to marry him. But it felt like the author must have had some kind of page count that had to be devoted to the sex between them. By the end of the book, it was simply stated without the 20 pages of description each time. It got boring after a while. I'm not even sure I want to read the rest in the series. But I so loved the earlier books. Maybe at some future point I'll be able to pick up the next one. There is some minor timeline confusion in this book - it starts in 1835 and Aunt Clara has just died and left Simon (Amanda's and Amelia's younger brother) her estate. This led me to look at the dates in Heather, Eliza, and Angelica's books because Aunt Clara has a good portion of a scene in.it's set in 1825 or some such. So this is a huge leap forward and later explains why no other Cynster characters appear in this book beyond Lady Osbaldestone (who is get There is some minor timeline confusion in this book - it starts in 1835 and Aunt Clara has just died and left Simon (Amanda's and Amelia's younger brother) her estate. This led me to look at the dates in Heather, Eliza, and Angelica's books because Aunt Clara has a good portion of a scene in.it's set in 1825 or some such. So this is a huge leap forward and later explains why no other Cynster characters appear in this book beyond Lady Osbaldestone (who is getting realy old) or why Portia never summons Luc for help. What they've been doing in the meantime isn't exactly mapped out. The mystery in this one is much better - not as much overt foreshadowing so when the bad guy was eventually unmasked I was just as surprised as Portia and Simon. Because they were missing a crucial piece of information, I was, too, so that was a nice change. With a history of antagonizing each other over the years, old friends Simon Cynster and Portia Ashford find themselves at the same house party deep in the English country. Unbeknown to the other, they each have a plan to find a suitable spouse. As Simon and Portia's relationship develops into something they never thought possible, the house party is rocked by a gruesome murder. Simon and Portia try to solve the murder while exploring the feelings being awakened. Like all the Cynster book, this w With a history of antagonizing each other over the years, old friends Simon Cynster and Portia Ashford find themselves at the same house party deep in the English country. Unbeknown to the other, they each have a plan to find a suitable spouse. As Simon and Portia's relationship develops into something they never thought possible, the house party is rocked by a gruesome murder. Simon and Portia try to solve the murder while exploring the feelings being awakened. Like all the Cynster book, this was a fun, easy, romantic read. Simon was a strong lead character and Portia was okay as his leading lady. Fans of the series will enjoy the many scenes with Lady O, who is a guest at the house party and is instrumental in bringing Simon and Portia together. (side note-I've checked out a bunch of Stephanie Laurens books from the library. If you are interested in the Cynster series, you do not have to read them in order). Stephanie Laurens was born in Sri Lanka, which was at the time the British colony of Ceylon. When she was 5, her family moved to Melbourne, Australia, where she was raised. After continuing through school and earning a Ph.D. In Biochemistry in Australia, Stephanie and her husband moved to Great Britain, taking one of the last true overland journeys from Katmandu to London. Once in London, Stephanie Stephanie Laurens was born in Sri Lanka, which was at the time the British colony of Ceylon. When she was 5, her family moved to Melbourne, Australia, where she was raised. After continuing through school and earning a Ph.D. In Biochemistry in Australia, Stephanie and her husband moved to Great Britain, taking one of the last true overland journeys from Katmandu to London. Once in London, Stephanie and her husband both began work as research scientists in Kent. They lived in an area surrounded by history. Their own cottage was built in the 16th century, while next door were the protected ruins of an early Roman villa, and nearby was a 14th century castle. After four years in England, Stephanie and her husband returned to Australia, where she continued to work in cancer research, eventually heading her own research laboratory. One evening Stephanie realized that she did not have any more of her favorite romance novels to read. After years of thinking about writing her own novel, during nights and weekends for the next several months, she began crafting her own story. That manuscript, Tangled Reins, was the first of her books to be published. After achieving a level of success with her novels, Stephanie 'retired' from scientific research and became a full-time novelist. Her novels are primarily historical romances set in the Regency time period. Stephanie and her husband live on peaceful acreage on the outskirts of Melbourne. If she isn't writing, she's reading, and if she's not reading, she's tending her garden. ![]() About We look forward to adding support for many new languages to Google Fonts. To accelerate this process, we would like to get your feedback on our latest fonts. Note, some of the fonts have since graduated. • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Feb 14, 2014. My ttf fonts. Contribute to fonts development by creating an account on GitHub. IOS 9に搭載されているフォント「Lao Sangam MN Regular」の紹介です。| デバイスにプリインストールされているフォントを紹介します。. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 30 scripts, and will cover all of Unicode in the future. This is the Sans Kannada family. It has Regular and Bold styles and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosanskannada.css); Example font-family: ' Noto Sans Kannada', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Thaana family. It has regular and bold styles and is hinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosansthaana.css); Example font-family: ' Noto Sans Thaana', sans-serif;| • Noto is a font family that aims to support all languages in the world. This is the Noto Sans Gurmukhi UI family. It has regular and bold styles and is hinted. For more information about Noto, go to Link @import url(//fonts.googleapis.com/earlyaccess/ notosansgurmukhiui.css); Example font-family: ' Noto Sans Gurmukhi UI', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 30 scripts, and will cover all of Unicode in the future. This is the Sans Telugu family. It has Regular and Bold styles and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. 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When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Sundanese family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosanssundanese.css); Example font-family: ' Noto Sans Sundanese', sans-serif;| • is a cute and playful Japanese font, with flat and wide Katakana and Hiragana. Now released under the SIL Open Font License. Link @import url(//fonts.googleapis.com/earlyaccess/ nicomoji.css); Example font-family: ' Nico Moji', cursive;| • The develops a superfamily set of several families: 4 families with proportional Latin, 3 with fixed-halfwidth Latin, and 2 with fixed-fullwidth Japanese Kana variations. The develops versions of the M+ Fonts with rounded terminals. This set, M+ 1p, are fonts with proportional Latin and fixed-fullwidth Japanese, and 7 weights from Thin to Black. The Kana have contrasting straight lines and hand-drawn curves. The Latin is aimed to be a sophisticated and relaxed design. 8,676 glyphs. This is Version 1.061g, released upstream on 2016-04-12, and slightly modified by Google Fonts. Now released under the SIL Open Font License. Link @import url(//fonts.googleapis.com/earlyaccess/ mplus1p.css); Example font-family: ' Mplus 1p', sans-serif;| • cwTeXKai font (Chinese: 楷體) is derived from the made by Tsong-Min Wu, Tsong-Huey Wu and Edward G.J. Link @import url(//fonts.googleapis.com/earlyaccess/ cwtexkai.css); Example font-family: ' cwTeXKai', serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Samaritan family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosanssamaritan.css); Example font-family: ' Noto Sans Samaritan', sans-serif;| • A Sans Serif variable font, by Pablo Impallari. To learn more about this project, visit. Link @import url(cabinvfbeta.css); Example font-family: ' Cabin VF Beta', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Linear B family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosanslinearb.css); Example font-family: ' Noto Sans Linear B', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans New Tai Lue family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosansnewtailue.css); Example font-family: ' Noto Sans New Tai Lue', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Gothic family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosansgothic.css); Example font-family: ' Noto Sans Gothic', sans-serif;| • Hannari, from, is an original Kana design inspired by a historical design, Tsukiji. The Kana have a soft and gentle appearence that is elegant and dynamic. It is well balanced classical deign, with a feminine touch. A classic design. The upstream project includes Kanji, Latin and other glyphs from the IPA fonts, which are removed from this font. Now released under the SIL Open Font License. Link @import url(//fonts.googleapis.com/earlyaccess/ hannari.css); Example font-family: ' Hannari', serif;| • The Lohit Bengali font is from the Fedora Project. Link @import url(//fonts.googleapis.com/earlyaccess/ lohitbengali.css); Example font-family: ' Lohit Bengali', sans-serif;| • Noto is a font family that aims to support all languages in the world. This is the Noto Sans Malayalam UI family. It has regular and bold styles and is hinted. For more information about Noto, go to Link @import url(//fonts.googleapis.com/earlyaccess/ notosansmalayalamui.css); Example font-family: ' Noto Sans Malayalam UI', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Shavian family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosansshavian.css); Example font-family: ' Noto Sans Shavian', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Tagbanwa family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosanstagbanwa.css); Example font-family: ' Noto Sans Tagbanwa', sans-serif;| • The develops a superfamily set of several families: 4 families with proportional Latin, 3 with fixed-halfwidth Latin, and 2 with fixed-fullwidth Japanese Kana variations. The develops versions of the M+ Fonts with rounded terminals. This set, Rounded M+ 1c, are fonts with proportional Latin and fixed-fullwidth Japanese, and 7 weights from Thin to Black. The Kana have traditional slightly curved strokes. The Latin is optimized to be well-proportioned for text typesetting. 8,546 glyphs. This is Version v1.059g, released upstream on 2015-05-29, and slightly modified by Google Fonts. Now released under the SIL Open Font License. Link @import url(//fonts.googleapis.com/earlyaccess/ roundedmplus1c.css); Example font-family: ' Rounded Mplus 1c', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Old Turkic family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosansoldturkic.css); Example font-family: ' Noto Sans Old Turkic', sans-serif;| • Noto is a font family that aims to support all languages in the world. This is the Noto Sans Kannada UI family. It has regular and bold styles and is hinted. For more information about Noto, go to Link @import url(//fonts.googleapis.com/earlyaccess/ notosanskannadaui.css); Example font-family: ' Noto Sans Kannada UI', sans-serif;| • When text is rendered by a program, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the program. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. The Noto font families will support all characters in Unicode, and this is the Sans Osmanya family. It has a Regular style and is not hinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. The Noto project homepage is Link @import url(//fonts.googleapis.com/earlyaccess/ notosansosmanya.css); Example font-family: ' Noto Sans Osmanya', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Tifinagh family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosanstifinagh.css); Example font-family: ' Noto Sans Tifinagh', sans-serif;| • The Nanum fonts (Korean: 나눔글꼴) are unicode fonts designed especially for the Korean-language script, designed by Sandoll Communications (Korean: 산돌 커뮤니케이션) and Fontrix (Korean: 폰트릭스). The publisher is Naver. Nanum Pen Script is a contemporary pen script with a warm touch and is expertly hinted for screen use. Link @import url(//fonts.googleapis.com/earlyaccess/ nanumpenscript.css); Example font-family: ' Nanum Pen Script', cursive;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Deseret family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosansdeseret.css); Example font-family: ' Noto Sans Deseret', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Cypriot family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosanscypriot.css); Example font-family: ' Noto Sans Cypriot', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Old Italic family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosansolditalic.css); Example font-family: ' Noto Sans Old Italic', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Tai Viet family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosanstaiviet.css); Example font-family: ' Noto Sans Tai Viet', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Yi family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosansyi.css); Example font-family: ' Noto Sans Yi', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Tai Tham family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosanstaitham.css); Example font-family: ' Noto Sans Tai Tham', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 30 scripts, and will cover all of Unicode in the future. This is the Sans Bengali family. It has Regular and Bold styles and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosansbengali.css); Example font-family: ' Noto Sans Bengali', sans-serif;| • When text is rendered by a program, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the program. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. The Noto font families will support all characters in Unicode, and this is the Sans Tamil family. It has Regular and Bold styles and is hinted, so it will render well on older computers. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. The Noto project homepage is Link @import url(//fonts.googleapis.com/earlyaccess/ notosanstamil.css); Example font-family: ' Noto Sans Tamil', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Tagalog family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosanstagalog.css); Example font-family: ' Noto Sans Tagalog', sans-serif;| • When text is rendered by a program, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the program. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. The Noto font families will support all characters in Unicode, and this is the Sans Thai UI family. The design of Noto UI fonts are adjusted to be more vertically compact, a refinement made for user interface typography; you may wish to compare them with the normal Noto Sans Thai fonts. It has Regular and Bold styles and is hinted, so it will render well on older computers. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. The Noto project homepage is Link @import url(//fonts.googleapis.com/earlyaccess/ notosansthaiui.css); Example font-family: ' Noto Sans Thai UI', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 30 scripts, and will cover all of Unicode in the future. This is the Sans Ethiopic family. It has Regular and Bold styles and is hinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosansethiopic.css); Example font-family: ' Noto Sans Ethiopic', sans-serif;| • Jeju Gothic is simple and modern design. It feels young and fresh like Jeju Island's purity. Link @import url(//fonts.googleapis.com/earlyaccess/ jejugothic.css); Example font-family: ' Jeju Gothic', sans-serif;| • Jeju Myungjo was designed to have a modern look and improved legibility through simplified shapes and a bigger optical size. It is a polished serif type, to represent Jeju Island's bright future. Link @import url(//fonts.googleapis.com/earlyaccess/ jejumyeongjo.css); Example font-family: ' Jeju Myeongjo', serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Carian family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosanscarian.css); Example font-family: ' Noto Sans Carian', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Inscriptional Pahlavi family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosansinscriptionalpahlavi.css); Example font-family: ' Noto Sans Inscriptional Pahlavi', sans-serif;| • KoPub Batang is a serif unicode font designed by Fontrix, with sponsorship from Korea's government (Ministry of Culture, Sports and Tourism) and published by the Korea Publishers Society. It supports 11,172 Hangul glyphs, 94 English glyphs, 986 KS symbols and 4,888 Chinese glyphs. It is intended for reading at text sizes, and it has good legibility: It has passed many legibility tests and has been positively reviewed by publication professionals. Its serifs are restrained and smooth, and it has excellent kerning and other refinements. Link @import url(//fonts.googleapis.com/earlyaccess/ kopubbatang.css); Example font-family: ' KoPub Batang', serif;| • When text is rendered by a program, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the program. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. The Noto font families will support all characters in Unicode, and this is the Sans Lao family. It has Regular and Bold styles and is hinted, so it will render well on older computers. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. The Noto project homepage is Link @import url(//fonts.googleapis.com/earlyaccess/ notosanslao.css); Example font-family: ' Noto Sans Lao', sans-serif;| • Ponnala is a Telugu font, made available by Silicon Andhra under the SIL Open Font License v1.1. Link @import url(//fonts.googleapis.com/earlyaccess/ ponnala.css); Example font-family: ' Ponnala', cursive;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Imperial Aramaic family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosansimperialaramaic.css); Example font-family: ' Noto Sans Imperial Aramaic', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Inscriptional Parthian family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosansinscriptionalparthian.css); Example font-family: ' Noto Sans Inscriptional Parthian', sans-serif;| • cwTeXYen font (Chinese: 圓體) is derived from the made by Tsong-Min Wu, Tsong-Huey Wu and Edward G.J. Link @import url(//fonts.googleapis.com/earlyaccess/ cwtexyen.css); Example font-family: ' cwTeXYen', sans-serif;| • When text is rendered by a program, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the program. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. The Noto font families will support all characters in Unicode, and this is the Serif Georgian family. It has Regular and Bold styles and is hinted, so it will render well on older computers. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. The Noto project homepage is Link @import url(//fonts.googleapis.com/earlyaccess/ notoserifgeorgian.css); Example font-family: ' Noto Serif Georgian', serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes ”tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 30 scripts, and will cover all of Unicode in the future. This is the Naskh Arabic family. It has Regular and Bold styles and is hinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notonaskharabic.css); Example font-family: ' Noto Naskh Arabic', serif;| • When text is rendered by a program, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the program. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. The Noto font families will support all characters in Unicode, and this is the Sans Devanagari family. It has Regular and Bold styles and is hinted, so it will render well on older computers. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. The Noto project homepage is Link @import url(//fonts.googleapis.com/earlyaccess/ notosansdevanagari.css); Example font-family: ' Noto Sans Devanagari', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Meetei Mayek family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosansmeeteimayek.css); Example font-family: ' Noto Sans Meetei Mayek', sans-serif;| • When text is rendered by a program, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the program. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. The Noto font families will support all characters in Unicode, and this is the Sans Tamil UI family. The design of Noto UI fonts are adjusted to be more vertically compact, a refinement made for user interface typography; you may wish to compare them with the normal Noto Sans Tamil fonts. It has Regular and Bold styles and is hinted, so it will render well on older computers. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. The Noto project homepage is Link @import url(//fonts.googleapis.com/earlyaccess/ notosanstamilui.css); Example font-family: ' Noto Sans Tamil UI', sans-serif;| • Thabit (from Arabic ثابت; fixed) is a fixed-width OpenType font family that supports Arabic script. It is developed by as part of the Khotot project by Link @import url(//fonts.googleapis.com/earlyaccess/ thabit.css); Example font-family: ' Thabit', monospace;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Brahmi family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosansbrahmi.css); Example font-family: ' Noto Sans Brahmi', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Ol Chiki family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosansolchiki.css); Example font-family: ' Noto Sans Ol Chiki', sans-serif;| • Karla is a grotesque sans serif typeface family that supports languages that use the Latin script and the Tamil script. This is the Tamil script part of the family, with Inclined styles in two weights, Regular and Bold. The Latin part is available from the page. Karla Tamil does not currently work on iPhones and iPads, because iOS doesn't render OpenType Layout shaping, only AAT shaping. Mac OS X, Windows and GNU+Linux all render OpenType Layout shaping. These Tamil fonts do not have AAT shaping, so they won't render correctly, but the iOS system font does. To contribute to the project contact. Link @import url(//fonts.googleapis.com/earlyaccess/ karlatamilinclined.css); Example font-family: ' Karla Tamil Inclined', sans-serif;| • A Lao font by Danh Hong, based on the traditional handwriting letterforms found on many advertising banners in Pakse city, in the southern part of Laos. It is best used in large typography such as posters and titles. Link @import url(//fonts.googleapis.com/earlyaccess/ laomuangkhong.css); Example font-family: ' Lao Muang Khong', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Runic family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosansrunic.css); Example font-family: ' Noto Sans Runic', sans-serif;| • Karla is a grotesque sans serif typeface family that supports languages that use the Latin script and the Tamil script. This is the Tamil script part of the family, with Upright styles in two weights, Regular and Bold. The Latin part is available from the page. Karla Tamil does not currently work on iPhones and iPads, because iOS doesn't render OpenType Layout shaping, only AAT shaping. Mac OS X, Windows and GNU+Linux all render OpenType Layout shaping. These Tamil fonts do not have AAT shaping, so they won't render correctly, but the iOS system font does. To contribute to the project contact. Link @import url(//fonts.googleapis.com/earlyaccess/ karlatamilupright.css); Example font-family: ' Karla Tamil Upright', sans-serif;| • A new creative Lao font by Danh Hong, for use in large typography such as posters and titles. Link @import url(//fonts.googleapis.com/earlyaccess/ laomuangdon.css); Example font-family: ' Lao Muang Don', sans-serif;| • is a fun and playful Japanese font, inspired by the soft pads of cat paws: Each character is equipted with a highlight spot. The spaces between horizontal strokes are small and tight, so this font is best used in large sizes. Now released under the SIL Open Font License. Link @import url(//fonts.googleapis.com/earlyaccess/ nikukyu.css); Example font-family: ' Nikukyu', cursive;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 30 scripts, and will cover all of Unicode in the future. This is the Sans Khmer family. It has Regular and Bold styles and is hinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosanskhmer.css); Example font-family: ' Noto Sans Khmer', sans-serif;| • Phetsarath is a font for the Laotian language of Laos. It was commmissioned by the of the Laos government. Link @import url(//fonts.googleapis.com/earlyaccess/ phetsarath.css); Example font-family: ' Phetsarath', sans-serif;| • Noto is a font family that aims to support all languages in the world. This is the Noto Nastaliq Urdu Draft family. It has regular style and is unhinted. For more information about Noto, go to Link @import url(//fonts.googleapis.com/earlyaccess/ notonastaliqurdudraft.css); Example font-family: ' Noto Nastaliq Urdu Draft', serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Javanese family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosansjavanese.css); Example font-family: ' Noto Sans Javanese', sans-serif;| • Noto is a font family that aims to support all languages in the world. This is the Noto Nastaliq Urdu family. It has regular style and is unhinted. For more information about Noto, go to Link @import url(//fonts.googleapis.com/earlyaccess/ notonastaliqurdu.css); Example font-family: ' Noto Nastaliq Urdu', serif;| • Noto is a font family that aims to support all languages in the world. This is the Noto Sans Myanmar UI family. It has regular and bold styles and is hinted. For more information about Noto, go to Link @import url(//fonts.googleapis.com/earlyaccess/ notosansmyanmarui.css); Example font-family: ' Noto Sans Myanmar UI', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 30 scripts, and will cover all of Unicode in the future. This is the Sans Japanese family. It has Regular and Bold styles and is hinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Note: Noto Sans Japanese has been subsetted to 6,934 characters and contains most of the characters defined. This includes 6,355 Kanji as well as 579 non Kanji characters. Link @import url(//fonts.googleapis.com/earlyaccess/ notosansjapanese.css); Example font-family: ' Noto Sans Japanese', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Oriya UI family. It has regular and bold styles and is hinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosansoriyaui.css); Example font-family: ' Noto Sans Oriya UI', sans-serif;| • Noto is a font project that aims to support all languages in the world. This family, Noto Sans Simplified Chinese Sliced, provides slicing optimization and includes Light, Regular and Medium styles. Note: The slicing optimization used by this family only works with. Since 2015, the Google Fonts API has been available in mainland China, but Chinese users face a problem using webfonts in their own language: While Latin webfonts are typically 100–400KB and other writing systems usually range between 200–600KB, the Noto Sans SC (Simplified Chinese) font file is much larger (around 19MB) because it includes 44,683 characters. The experience for Chinese webfont users can be improved if the file size and webfont latency are reduced: In any large corpus of documents, there are patterns in character usage. By scanning webpages in Chinese, we model which characters are most likely to appear together, which informs a static subset slicing strategy that sorts all 44,683 glyphs into 102 slices. Using this method, the entire web page will seem to be using Noto Sans SC while only loading the set of font slices required for that page, which we expect to be much faster than loading the whole font. Cross-site caching is a key benefit of using the Google Fonts API, and since each slice of this font can be used across websites, the latency benefits increase over time. For more information about Noto, check out the other parts of Noto available on this page, and visit. Another version of the 'Noto Sans SC' family is also available on this page, which does not support the slicing optimization but includes more styles. Link @import url(//fonts.googleapis.com/earlyaccess/ notosansscsliced.css); Example font-family: ' Noto Sans SC Sliced', sans-serif; Latency Metrics (recommended) To help us develop our slicing technique to make CJK webfonts load faster, we invite you to share latency metrics with Google Fonts by including a small JS library in your web pages. This library accesses the HTML5 and sends webpage performance metrics to Google. No user-specific data will be collected. The JS library is used to collect: • Download time metrics of font slices • Download time of the Google Fonts CSS file • Page onload time To include the library and help improve our static subset slicing strategy, add the following code to the bottom of your section:| • cwTeXFangSong font (Chinese: 仿宋體) is derived from the made by Tsong-Min Wu, Tsong-Huey Wu and Edward G.J. Link @import url(//fonts.googleapis.com/earlyaccess/ cwtexfangsong.css); Example font-family: ' cwTeXFangSong', serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Balinese family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosansbalinese.css); Example font-family: ' Noto Sans Balinese', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes ”tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 30 scripts, and will cover all of Unicode in the future. This is the Kufi Arabic family. It has Regular and Bold styles and is hinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notokufiarabic.css); Example font-family: ' Noto Kufi Arabic', sans-serif;| • The Nanum fonts (Korean: 나눔글꼴) are unicode fonts designed especially for the Korean-language script, designed by Sandoll Communications (Korean: 산돌 커뮤니케이션) and Fontrix (Korean: 폰트릭스). The publisher is Naver. Nanum Brush Script is a contemporary brush script with a warm touch and is expertly hinted for screen use. Link @import url(//fonts.googleapis.com/earlyaccess/ nanumbrushscript.css); Example font-family: ' Nanum Brush Script', cursive;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Cham family. It has regular and bold styles and is hinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosanscham.css); Example font-family: ' Noto Sans Cham', sans-serif;| • Myanmar Sans Pro is an initial style for a type family that harmonizes with Adobe's Source Sans Pro family. It is a sans serif typeface intended to work well in user interfaces, and also in long form documents in headings and in body text. Please note that the font is Unicode encoded, so requires Unicode encoded text to work correctly. Also, it will only work on platforms with Myanmar OpenType support - those that use harfbuzz, and Window 8 - which does not include earlier Windows and Apple systems. Link @import url(//fonts.googleapis.com/earlyaccess/ myanmarsanspro.css); Example font-family: ' Myanmar Sans Pro', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Batak family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosansbatak.css); Example font-family: ' Noto Sans Batak', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Phoenician family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosansphoenician.css); Example font-family: ' Noto Sans Phoenician', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Kayah Li family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosanskayahli.css); Example font-family: ' Noto Sans Kayah Li', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Rejang family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosansrejang.css); Example font-family: ' Noto Sans Rejang', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 30 scripts, and will cover all of Unicode in the future. This is the Sans Sinhala family. It has Regular and Bold styles and is hinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosanssinhala.css); Example font-family: ' Noto Sans Sinhala', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Lepcha family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosanslepcha.css); Example font-family: ' Noto Sans Lepcha', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 30 scripts, and will cover all of Unicode in the future. This is the Serif Khmer family. It has Regular and Bold styles and is hinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notoserifkhmer.css); Example font-family: ' Noto Serif Khmer', serif;| • Noto is a font family that aims to support all languages in the world. This is the Sans Traditional Chinese family. It has Thin, Light, Regular, Medium, Bold and Black styles. For more information about Noto, go to Noto Sans TC has been subsetted to the most frequent 7,800 Chinese characters in Traditional Chinese documents. 223 characters are added to cover all the characters in Taiwan's CNS 11643 P1 and as well as and IRG. In addition to Hanzi, Bopomofo, CJK Radicals, ASCII, punctuation marks and full-width characters are included. The full version can be downloaded in the link below. For more details, see. Link @import url(//fonts.googleapis.com/earlyaccess/ notosanstc.css); Example font-family: ' Noto Sans TC', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 30 scripts, and will cover all of Unicode in the future. This is the Sans Kufi Arabic family. It has Regular and Bold styles and is hinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosanskufiarabic.css); Example font-family: ' Noto Sans Kufi Arabic', sans-serif;| • Noto is a font family that aims to support all languages in the world. This is the Sans Korean family. It has Thin, Light, Regular, Medium, Bold and Black styles. For more information about Noto, go to Noto Sans KR has been subsetted to cover the full repertoire of modern Hangul syllables (11,172) and most of symbols in KS X 1001. It also has the full support for Old Hangul with Unicode Hangul Conjoining Jamos and Opentype features. It does not have any Hanjas (Chinese characters) and Greek/Cyrillic letters. The full version can be downloaded in the link below. For more details, see. Link @import url(//fonts.googleapis.com/earlyaccess/ notosanskr.css); Example font-family: ' Noto Sans KR', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Egyptian Hieroglyphs family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosansegyptianhieroglyphs.css); Example font-family: ' Noto Sans Egyptian Hieroglyphs', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Bamum family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosansbamum.css); Example font-family: ' Noto Sans Bamum', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Lycian family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosanslycian.css); Example font-family: ' Noto Sans Lycian', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Syloti Nagri family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosanssylotinagri.css); Example font-family: ' Noto Sans Syloti Nagri', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Tai Le family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosanstaile.css); Example font-family: ' Noto Sans Tai Le', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 30 scripts, and will cover all of Unicode in the future. This is the Sans Gujarati family. It has Regular and Bold styles and is hinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosansgujarati.css); Example font-family: ' Noto Sans Gujarati', sans-serif;| • Noto is a font family that aims to support all languages in the world. This is the Noto Sans Myanmar family. It has regular and bold styles and is hinted. For more information about Noto, go to Link @import url(//fonts.googleapis.com/earlyaccess/ notosansmyanmar.css); Example font-family: ' Noto Sans Myanmar', sans-serif;| • The Lohit Devanagari font is from the. Link @import url(//fonts.googleapis.com/earlyaccess/ lohitdevanagari.css); Example font-family: ' Lohit Devanagari', sans-serif;| • A serif text variable font, by David Berlow. To learn more about this project, visit Link @import url(amstelvaralpha.css); Example font-family: ' Amstelvar Alpha', serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Avestan family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosansavestan.css); Example font-family: ' Noto Sans Avestan', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 30 scripts, and will cover all of Unicode in the future. This is the Sans Gurmukhi family. It has Regular and Bold styles and is hinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosansgurmukhi.css); Example font-family: ' Noto Sans Gurmukhi', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Kharoshthi family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosanskharoshthi.css); Example font-family: ' Noto Sans Kharoshthi', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Ugaritic family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosansugaritic.css); Example font-family: ' Noto Sans Ugaritic', sans-serif;| • Open Sans Hebrew was designed by Yanek Iontef as an extension of the a Latin humanist sans serif typeface designed by Steve Matteson. Open Sans has an upright stress, open forms and a neutral, yet friendly appearance. It was optimized for print, web, and mobile interfaces, and has excellent legibility characteristics in its letterforms. This is the normal width family. It has Regular, Bold, Light and ExtraBold weights in upright and slanted styles, and is unhinted. There is also a condensed width family. Link @import url(//fonts.googleapis.com/earlyaccess/ opensanshebrew.css); Example font-family: ' Open Sans Hebrew', sans-serif;| • The Lohit Tamil font is from the Fedora Project. Link @import url(//fonts.googleapis.com/earlyaccess/ lohittamil.css); Example font-family: ' Lohit Tamil', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Mandaic family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosansmandaic.css); Example font-family: ' Noto Sans Mandaic', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Old Persian family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosansoldpersian.css); Example font-family: ' Noto Sans Old Persian', sans-serif;| • NATS is a Telugu font, made available by Silicon Andhra under the SIL Open Font License v1.1. Link @import url(//fonts.googleapis.com/earlyaccess/ nats.css); Example font-family: ' NATS', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Old South Arabian family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosansoldsoutharabian.css); Example font-family: ' Noto Sans Old South Arabian', sans-serif;| • When text is rendered by a program, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the program. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. The Noto font families will support all characters in Unicode, and this is the Sans Armenian family. It has Regular and Bold styles and is hinted, so it will render well on older computers. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. The Noto project homepage is Link @import url(//fonts.googleapis.com/earlyaccess/ notosansarmenian.css); Example font-family: ' Noto Sans Armenian', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 30 scripts, and will cover all of Unicode in the future. This is the Sans Malayalam family. It has Regular and Bold styles and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosansmalayalam.css); Example font-family: ' Noto Sans Malayalam', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 30 scripts, and will cover all of Unicode in the future. This is the Sans Cherokee family. It has a Regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosanscherokee.css); Example font-family: ' Noto Sans Cherokee', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Vai family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosansvai.css); Example font-family: ' Noto Sans Vai', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Hanunoo family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosanshanunoo.css); Example font-family: ' Noto Sans Hanunoo', sans-serif;| • Noto is a font family that aims to support all languages in the world. This is the Noto Sans Khmer UI family. It has regular and bold styles and is hinted. For more information about Noto, go to Link @import url(//fonts.googleapis.com/earlyaccess/ notosanskhmerui.css); Example font-family: ' Noto Sans Khmer UI', sans-serif;| • When text is rendered by a program, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the program. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. The Noto font families will support all characters in Unicode, and this is the Sans Lao UI family. The design of Noto UI fonts are adjusted to be more vertically compact, a refinement made for user interface typography; you may wish to compare them with the normal Noto Sans Lao fonts. It has Regular and Bold styles and is hinted, so it will render well on older computers. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. The Noto project homepage is Link @import url(//fonts.googleapis.com/earlyaccess/ notosanslaoui.css); Example font-family: ' Noto Sans Lao UI', sans-serif;| • cwTeXMing font (Chinese: 明體) is derived from the made by Tsong-Min Wu, Tsong-Huey Wu and Edward G.J. Link @import url(//fonts.googleapis.com/earlyaccess/ cwtexming.css); Example font-family: ' cwTeXMing', serif;| • A sans serif Lao typeface by Danh Hong, intended to work well in user interfaces and as body text in documents. The metrics are harmonized with Adobe's. Link @import url(//fonts.googleapis.com/earlyaccess/ laosanspro.css); Example font-family: ' Lao Sans Pro', sans-serif;| • (さわらびゴシック) is a Japanese font. Carefully designed for high legibility, it works well in small text sizes. It already has many hiragana, katakana, ruled lines, and so on, but it does not yet have enough kanji glyphs. Only 4,469 kanji are available in this version, and the project is under active development. There is also another related family, Sawarabi Mincho. 6,945 glyphs. Now released under the SIL Open Font License. Link @import url(//fonts.googleapis.com/earlyaccess/ sawarabigothic.css); Example font-family: ' Sawarabi Gothic', sans-serif;| • Woowa Brothers, a company dedicated to contributing to the world’s graceful progress by utilizing information technology, has created the ‘Hanna’ font for everyone to use. Hanna reflects Woowa Brothers’ kitsch and retro identity; it is reminiscent of our childhood memories of trying to draw something really nice, yet our drawing turns out to be a little rough and half-baked. Hanna is just like that kid’s drawing, and will bring you back to the time when you were little. Enjoy and share! Link @import url(//fonts.googleapis.com/earlyaccess/ hanna.css); Example font-family: ' Hanna', sans-serif;| • Kokoro Mincho (こころ明朝), from, has the subtle touch of handwriting. With long and low-contrast strokes, round terminals, and wide spacing, it has a gentle and calm appearence. The upstream project includes Kanji, Latin and other glyphs from the IPA fonts, which are removed from this font. Now released under the SIL Open Font License. Link @import url(//fonts.googleapis.com/earlyaccess/ kokoro.css); Example font-family: ' Kokoro', serif;| • When text is rendered by a program, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the program. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. The Noto font families will support all characters in Unicode, and this is the Sans Devanagari UI family. The design of Noto UI fonts are adjusted to be more vertically compact, a refinement made for user interface typography; you may wish to compare them with the normal Noto Sans Devanagari fonts. It has Regular and Bold styles and is hinted, so it will render well on older computers. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. The Noto project homepage is Link @import url(//fonts.googleapis.com/earlyaccess/ notosansdevanagariui.css); Example font-family: ' Noto Sans Devanagari UI', sans-serif;| • Noto is a font family that aims to support all languages in the world. This is the Noto Sans Telugu UI family. It has regular and bold styles and is hinted. For more information about Noto, go to Link @import url(//fonts.googleapis.com/earlyaccess/ notosansteluguui.css); Example font-family: ' Noto Sans Telugu UI', sans-serif;| • A Sans Serif variable font, by Vernon Adams. To learn more about this project, visit. Link @import url(nunitovfbeta.css); Example font-family: ' Nunito VF Beta', sans-serif;| • (さわらび明朝) is a Japanese font. With a delicate and beautiful design, it is suitable for text and headline usage. It already has many hiragana, katakana, ruled lines, and so on, but it does not yet have enough kanji glyphs. Only 2,250 kanji are available in this version, and the project is under active development. There is also another related family, Sawarabi Gothic. 3,589 glyphs. Now released under the SIL Open Font License. Link @import url(//fonts.googleapis.com/earlyaccess/ sawarabimincho.css); Example font-family: ' Sawarabi Mincho', serif;| • Open Sans Hebrew was designed by Yanek Iontef as an extension of the a Latin humanist sans serif typeface designed by Steve Matteson. Open Sans has an upright stress, open forms and a neutral, yet friendly appearance. It was optimized for print, web, and mobile interfaces, and has excellent legibility characteristics in its letterforms. This is the condensed width family. It has Regular, Bold, Light and ExtraBold weights in upright and slanted styles, and is unhinted. There is also a normal width family. Link @import url(//fonts.googleapis.com/earlyaccess/ opensanshebrewcondensed.css); Example font-family: ' Open Sans Hebrew Condensed', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Phags Pa family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosansphagspa.css); Example font-family: ' Noto Sans Phags Pa', sans-serif;| • Dhyana is a new Laos typeface designed by Vern Adams. Link @import url(//fonts.googleapis.com/earlyaccess/ dhyana.css); Example font-family: ' Dhyana', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Canadian Aboriginal family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosanscanadianaboriginal.css); Example font-family: ' Noto Sans Canadian Aboriginal', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Mongolian family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosansmongolian.css); Example font-family: ' Noto Sans Mongolian', sans-serif;| • cwTeXHei font (Chinese: 黑體) is derived from the made by Tsong-Min Wu, Tsong-Huey Wu and Edward G.J. Link @import url(//fonts.googleapis.com/earlyaccess/ cwtexhei.css); Example font-family: ' cwTeXHei', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Kaithi family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosanskaithi.css); Example font-family: ' Noto Sans Kaithi', sans-serif;| • When text is rendered by a program, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the program. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. The Noto font families will support all characters in Unicode, and this is the Serif Armenian family. It has Regular and Bold styles and is hinted, so it will render well on older computers. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. The Noto project homepage is Link @import url(//fonts.googleapis.com/earlyaccess/ notoserifarmenian.css); Example font-family: ' Noto Serif Armenian', serif;| • The Nanum fonts (Korean: 나눔글꼴) are unicode fonts designed especially for the Korean-language script, designed by Sandoll Communications (Korean: 산돌 커뮤니케이션) and Fontrix (Korean: 폰트릭스). The publisher is Naver. Nanum Gothic is a contemporary sans-serif with a warm touch and is expertly hinted for screen use. Link @import url(//fonts.googleapis.com/earlyaccess/ nanumgothic.css); Example font-family: ' Nanum Gothic', sans-serif;| • When text is rendered by a program, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the program. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. The Noto font families will support all characters in Unicode, and this is the Sans Georgian family. It has Regular and Bold styles and is hinted, so it will render well on older computers. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. The Noto project homepage is Link @import url(//fonts.googleapis.com/earlyaccess/ notosansgeorgian.css); Example font-family: ' Noto Sans Georgian', sans-serif;| • Alef is an open source multiscript webfont that supports both Latin and Hebrew. Alef was born in the screen and designed to the pixel in an attempt to extend the palette of Hebrew fonts available for web design and especially to challenge the only default - 'Arial'. This family is now available as 'Alef' in the full • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Tibetan family. It has regular style and is hinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosanstibetan.css); Example font-family: ' Noto Sans Tibetan', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 30 scripts, and will cover all of Unicode in the future. This is the Serif Thai family. It has Regular and Bold styles and is hinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notoserifthai.css); Example font-family: ' Noto Serif Thai', serif;| • The Nanum fonts (Korean: 나눔글꼴) are unicode fonts designed especially for the Korean-language script, designed by Sandoll Communications (Korean: 산돌 커뮤니케이션) and Fontrix (Korean: 폰트릭스). The publisher is Naver. Nanum Gothic is a contemporary sans-serif with a warm touch and is expertly hinted for screen use. Link @import url(//fonts.googleapis.com/earlyaccess/ nanummyeongjo.css); Example font-family: ' Nanum Myeongjo', serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Saurashtra family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosanssaurashtra.css); Example font-family: ' Noto Sans Saurashtra', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Lisu family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosanslisu.css); Example font-family: ' Noto Sans Lisu', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Syriac Eastern family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosanssyriaceastern.css); Example font-family: ' Noto Sans Syriac Eastern', sans-serif;| • When text is rendered by a program, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the program. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. The Noto font families will support all characters in Unicode, and this is the Sans Thai family. It has Regular and Bold styles and is hinted, so it will render well on older computers. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. The Noto project homepage is Link @import url(//fonts.googleapis.com/earlyaccess/ notosansthai.css); Example font-family: ' Noto Sans Thai', sans-serif;| • Noto is a font family that aims to support all languages in the world. This is the Sans Simplified Chinese family. It has Thin, Light, Regular, Medium, Bold and Black styles. For more information about Noto, go to Noto Sans SC has been subsetted to cover all the Chinese characters listed in along with the ASCII, additional Latin letters for Pinyin, punctuation marks and full-width characters used in Chinese. The full version can be downloaded in the link below. For more details, see. Link @import url(//fonts.googleapis.com/earlyaccess/ notosanssc.css); Example font-family: ' Noto Sans SC', sans-serif;| • Noto is a font family that aims to support all languages in the world. This is the Noto Sans Bengali UI family. It has regular and bold styles and is hinted. For more information about Noto, go to Link @import url(//fonts.googleapis.com/earlyaccess/ notosansbengaliui.css); Example font-family: ' Noto Sans Bengali UI', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Buhid family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosansbuhid.css); Example font-family: ' Noto Sans Buhid', sans-serif;| • Jeju Hallasan was designed to represent the beauty of Jeju Island, the UNESCO world natural heritage site. It shows Jeju's special geographic characteristics, basaltic rocks and volcanic islands. Link @import url(//fonts.googleapis.com/earlyaccess/ jejuhallasan.css); Example font-family: ' Jeju Hallasan', cursive;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Buginese family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosansbuginese.css); Example font-family: ' Noto Sans Buginese', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Coptic family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosanscoptic.css); Example font-family: ' Noto Sans Coptic', sans-serif;| • Noto is a font family that aims to support all languages in the world. This is the Sans Japanese family. It has Thin, Light, Demi Light, Regular, Medium, Bold and Black styles and is hinted. For more information about Noto, go to Note: Noto Sans JP has been subsetted to 6,992 characters and contains most of the characters defined by and some additional characters from Shift_JIS. The set includes 6,390 Kanji as well as 602 non Kanji characters such as Hiragana, Katakana (including half-width variants), ASCII and full-width and punctuations. Note: Due to browser's poor handling of non X00 weights, the DemiLight weight of Noto Sans JP has been removed. Link @import url(//fonts.googleapis.com/earlyaccess/ notosansjp.css); Example font-family: ' Noto Sans JP', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Syriac Western family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosanssyriacwestern.css); Example font-family: ' Noto Sans Syriac Western', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Lydian family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosanslydian.css); Example font-family: ' Noto Sans Lydian', sans-serif;| • Souliyo is a Unicode Font for Lao, designed by, with OpenType engineering support from Danh Hong. Link @import url(//fonts.googleapis.com/earlyaccess/ souliyo.css); Example font-family: ' Souliyo', sans-serif;| • TharLon is an authentic Myanmar typeface which covers several languages, such as Myanmar, Mon, Shan, Karen, Pa'o, Asho Chin, Kayah and Karenni, for use on the web and in all other digital typography software. The name TharLon was the name of the King who standardized the units of measurement during the ancient Burmese Kingdom Era. The TharLon font is designed by Ngwe Tun, and distributed under the SIL Open Font License with the Reserved Font Name 'TharLon.' The Tharlon font is a Myanmar Unicode font, and it works well on GNU+Linux, Windows, iOS and Mac OS X. It builds on 's Yunghkio, and. Read more about the project. Link @import url(//fonts.googleapis.com/earlyaccess/ tharlon.css); Example font-family: ' Tharlon', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Cuneiform family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosanscuneiform.css); Example font-family: ' Noto Sans Cuneiform', sans-serif;| • The Nanum fonts (Korean: 나눔글꼴) are unicode fonts designed especially for the Korean-language script, designed by Sandoll Communications (Korean: 산돌 커뮤니케이션) and Fontrix (Korean: 폰트릭스). The publisher is Naver. Nanum Gothic Coding is a contemporary monospaced sans-serif with a warm touch and is expertly hinted for screen use. Link @import url(//fonts.googleapis.com/earlyaccess/ nanumgothiccoding.css); Example font-family: ' Nanum Gothic Coding', monospace;| • When text is rendered by a program, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the program. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. The Noto font families will support all characters in Unicode, and this is the Serif Lao family. It has Regular and Bold styles and is hinted, so it will render well on older computers. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. The Noto project homepage is Link @import url(//fonts.googleapis.com/earlyaccess/ notoseriflao.css); Example font-family: ' Noto Serif Lao', serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Sans Hebrew family. It has Regular and Bold styles and is hinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Updated in June 2015 to latest version. Link @import url(//fonts.googleapis.com/earlyaccess/ notosanshebrew.css); Example font-family: ' Noto Sans Hebrew', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Limbu family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosanslimbu.css); Example font-family: ' Noto Sans Limbu', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Syriac Estrangela family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosanssyriacestrangela.css); Example font-family: ' Noto Sans Syriac Estrangela', sans-serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Naskh Arabic UI family. It has regular and bold styles and is hinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notonaskharabicui.css); Example font-family: ' Noto Naskh Arabic UI', serif;| • When text is rendered by a computer, sometimes there will be characters in the text that can not be displayed, because no font that supports them is available to the computer. When this occurs, small boxes are shown to represent the characters. We call those small boxes “tofu,” and we want to remove tofu from the Web. This is how the Noto font families got their name. Noto helps to make the web more beautiful across platforms for all languages. Currently, Noto covers over 90 scripts, and will cover all of Unicode in the future. This is the Noto Sans Ogham family. It has regular style and is unhinted. Noto fonts are intended to be visually harmonious across multiple languages, with compatible heights and stroke thicknesses. For the currently released Noto fonts see Link @import url(//fonts.googleapis.com/earlyaccess/ notosansogham.css); Example font-family: ' Noto Sans Ogham', sans-serif;|. Khmer MN I'm looking for a similar font to the english characters in the Khmer MN font supplied with Mac OS X. Don't take this the wrong way, but since you are using OS X, why don't you just use the english characters in the Khmer MN font supplied with Mac OS X? That would be the obvious solution, but when I posted this I needed an accented e, which wasn't included. If it's for single use, such as a logo, Khmer MN has a grave accent ` which you could flip to manually set as an acute accent. Obviously not a solution for large swathes of body copy. |
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